Metal-Ware
Coming now to the production of metal wares, the article Metal-Work (Vol. 18, p. 205), beautifully illustrated, is the work of three noted experts. The late J. H. Middleton, Slade Professor of Fine Art, Cambridge University, writes on Methods of Manipulation in Metal Work and tells of the metal work of Greece, Italy, Spain, Germany, France, England, Persia and Damascus. J. S. Gardner, an expert metal worker, deals with Modern Art Metal Work, and J. G. Horner contributes the section on Industrial Metal Working, in which he deals with Plater’s Work, Coppersmith’s Work, Raised Work, Cast Work, Methods of Union and Protection of Surfaces. In connection with the last mentioned subject, see also Japanning (Vol. 15, p. 275), Lacquer (Vol. 16, p. 53), and Painter-Work (Vol. 20, p. 457). Further information about lacquering, with valuable formulas, will be found in the article Japan (Vol. 15, p. 188). Some of the ornamental forms of metal work are described in Repoussé (Vol. 23, p. 108), by M. H. Spielmann, formerly editor of The Magazine of Art; Inlaying (Vol. 14, p. 574), and Damascening (Vol. 7, p. 783). See also Grille (Vol. 12, p. 596).
Plate (Vol. 21, p. 789), an article by H. R. Hall, of the British Museum, H. Stuart Jones, director of the British School at Rome, and E. A. Jones, author of Old English Gold Plate, etc., is a concise, complete hand-book on work in silver and gold of any class other than those of personal ornaments and coins. It is profusely illustrated with plates and text-cuts, showing many exquisite models; and the reader can master the details of style in different periods and countries. The subjects of the assay of gold and silver plate and hall-marks are discussed, the former being treated more fully in Assaying (Vol. 2, p. 776), by A. A. Blair, chief chemist of the U. S. Geological Survey. The article Roman Art, by H. Stuart Jones, has a section devoted to Work in Precious Metals (Vol. 23, p. 483).
Cutlery (Vol. 7, p. 671) is one of the articles pertaining specifically to hardware manufacture and trade, in which general processes of manufacture are described; and of allied interest are Knife (Vol. 15, p. 850), Fork (Vol. 10, p. 666), Spoon (Vol. 25, p. 733), Scissors (Vol. 24, p. 407), Shears (Vol. 24, p. 815), Razor (Vol. 22, p. 937), Chafing-Dish (Vol. 5, p. 800), Nail (Vol. 19, p. 153), Axe (Vol. 3, p. 67), Hammer (Vol. 12, p. 897), Chisel (Vol. 6, p. 247), Wire (Vol. 28, p. 738), and Barbed Wire (Vol. 3, p. 384). Articles describing all forms of agricultural implements will be found under their respective headings.
Glassware
Glass (Vol. 12, p. 86) is most complete in its consideration of the entire subject. The introductory section by H. J. Powell, of the Whitefriars Glass Works, London, author of Glass Making, and W. Rosenhain, of the National Physical Laboratory, London, deals with the manufacture of optical glass, blown glass and mechanically-pressed glass. The necessary qualities of each kind are stated and the newest processes of manufacture described, with full information about materials. The second part of the article is devoted to the History of Glass Manufacture, by Mr. Powell and Alexander Nesbitt, who wrote the well-known Introduction to the South Kensington Museum Catalogue of Glass Vessels. Egyptian, Assyrian, Roman, Venetian, Bohemian and Oriental glass, as well as the modern types, are exhaustively described. The article is splendidly illustrated. Drinking Vessels (Vol. 8, p. 580), by Dr. Charles H. Read, of the British Museum, describes old forms of glass cups and goblets. It is most valuable for its information in regard to styles of different countries and periods, and the illustrations show many types.
Stained glass is the subject of the separate article Glass, Stained (Vol. 12, p. 105), illustrated, by the late Lewis F. Day, author of Windows, a Book about Stained Glass. It is both historical and descriptive in its nature, deals with painted and stained glass, contains a table of examples of important historical stained glass, and treats of the latest progress in the art, including the productions of La Farge and L. C. Tiffany in this country. The art of fitting and setting of glass is described in Glazing (Vol. 12, p. 116), illustrated, by James Bartlett. Here we learn about the setting of window glass, the use of glass in decoration, systems of roof glazing and the use of wire glass.
Full information about glass for optical purposes will be found under Lens (Vol. 16, p. 421), illustrated, by Dr. Otto Henker, of the Carl Zeiss Factory, Jena, Germany; Lighthouse, Optical Apparatus (Vol. 16, p. 633), illustrated, by W. T. Douglass, who erected the Eddystone and Bishop Rock lighthouses, and Nicholas G. Gedye, chief engineer to the Tyne Improvement Commission; Telescope, Instruments (Vol. 26, p. 561), illustrated, by H. Dennis Taylor and Sir David Gill; Photography, Photographic Objectives or Lenses (Vol. 21, p. 507), illustrated, by James Waterhouse; Spectacles (Vol. 25, p. 617).
Chinaware, Pottery and Porcelain
To those engaged in the china ware, pottery or porcelain manufacture and trade, the great article Ceramics (Vol. 5, p. 703) will prove a revelation. It is the joint product of a number of experts, both practical and artistic, including William Burton, chairman, Joint Committee of Pottery Manufacturers of Great Britain, Henry R. H. Hall and Robert Lockhart Hobson, both of the British Museum, and A. Van de Put and Bernard Rackham, both of the Victoria and Albert Museum. It is 85,000 words in length and contains over a hundred beautiful illustrations, including six plates in colour. It deals fully with the artistic and economic phases of the subject, the methods of manufacture, the different varieties of ceramics, their history, decoration, etc. Japanese ceramics are treated separately in Japan, Ceramics (Vol. 15, p. 183), illustrated, by the late Capt. Frank Brinkley.