The emotions themselves of self-satisfaction and abasement are of a unique sort ... each has its own peculiar physiognomical expression. In self-satisfaction the extensor muscles are innervated, the eye is strong and glorious, the gait rolling and elastic, the nostril dilated, and a peculiar smile plays upon the lips. This complex of symptoms is seen in an exquisite way in lunatic asylums, which always contain some patients who are literally mad with conceit, and whose fatuous expression and absurdly strutting or swaggering gait is in tragic contrast with their lack of any valuable personal quality. It is in these same castles of despair that we find the strongest examples of the opposite physiognomy, in good people who think they have committed "the unpardonable sin" and are lost forever, who crouch and cringe and slink from notice, and are unable to speak aloud or look us in the eye.... We ourselves know how the barometer of our self-esteem and confidence rises and falls from one day to another through causes that seem to be visceral and organic rather than rational, and which certainly answer to no corresponding variations in the esteem in which we are held by our friends.[1]

[Footnote 1: James: loc. cit., vol. I, p. 307.]

Self-satisfaction depends, as has been said, on the kind of self we are aiming at, and that in turn depends on the kind of self we are. A professional bank-robber may take a craftsman's pride in the skill with which he has rifled a safe and made off with the booty, just as a surgeon may take pride in a delicate operation, or a dramatist in a play. The ideal and the measure of satisfaction will again be determined by the group among whom we move. The bank-robber will not boast of his exploits to a missionary conference; the surgeon will prefer to explain the details of his achievement to medical men who can critically appreciate its technique. The ideal self we set ourselves may far outreach our achievements, considerable and generally applauded though these be. A man may know in his heart how futile are his triumphs, how far from the goals he cherished as young ideals. Many a brilliant comedian longs to play Hamlet; the gifted and scholarly musician knows how easy it is to win an audience with sentimental and specious music. The humility of genius has again and again been noted. "The more one knows the less one knows one knows."

Many men attain self-satisfaction through negation, through a serene surrender of the unattainable. As the Epicureans counseled, they increase their happiness by lessening their desires. The content which middle-aged people exhibit is not so frequently to be traced to the dazzling character of their achievement as to their resignation to their station. Young people are moody and unhappy not infrequently because they cannot make a reconciliation between what they would be and what they are. Others again attain satisfaction vicariously in the achievements of others, as mediocre fathers do in their brilliant children, or as sympathetic and interested people do in the whole world about them.

The magnanimity of these expansive natures is often touching indeed. Such persons can feel a sort of delicate rapture in thinking that, however sick, ill-favored, mean-conditioned, and generally forsaken they may be, they are yet integral parts of the whole of this brave world, have a fellow's share in the strength of the dairy horses, the happiness of the young people, the wisdom of the wise ones, and are not altogether without part or lot in the good fortunes of the Vanderbilts and the Hohenzollerns themselves.[1]

[Footnote 1: James: loc. cit., vol. I, p. 313 (written in 1890).]

In some men a modicum of success will give a disproportionate sense of confidence and power. The man to whom success has always come easily is not baffled by problems that would appall those who, in middle life, "lie among the failures at the foot of the hill." As Goethe, who had always been miraculously successful, said to one who came to complain to him about the difficulty of an undertaking: "You have but to blow on your hands." In a crowd one can hardly fail to note the easy air of competence and confidence that distinguishes the successful man of affairs.

The contrast between the self and others. The consciousness of self increases with the expression of personal opinion and power. The man whose books are translated into half a dozen languages, to whose lectures people come from all parts of the world, cannot help feeling an increased sense of importance, although he may combine this consciousness with a sense of personal humility. In the same way a man who exerts great social power, who controls the economic lives of thousands of employees, or whose benefactions in the way of libraries and charitable institutions dot the land, develops inevitably a sense of his own selfhood as over against that of the group. He begins to realize that he does make a significant difference in the world. This was curiously illustrated in a speech delivered by Andrew Carnegie when, after a prolonged absence in Europe, he came back to the opening of the Carnegie Institute, the building of which had cost him six million dollars:

He said he could not bring himself to a realization of what had been done. He felt like Aladdin when he saw this building and was aware that he had put it up, but he could not bring himself to consciousness of having done it any more than if he had produced the same effect by rubbing a lamp. He could not feel the ownership of what he had given, and he could not feel that he had given it away.[1]

[Footnote 1: Quoted from the obituary of Andrew Carnegie in the New York Times of August 12, 1919.]