These “Diurnals” sometimes used such language as the following, from The Weekly Accompt, January, 1643:—
“This day afforded no newes at all, but onely what was heavenly and spiritual;” and he gives an account of the public fast, and of the grave divine Master Henderson’s sermon, with his texts in the morning; and in the afternoon, another of Master Strickland, with his texts—and of their spiritual effect over the whole parliament![337]
Such news as the following was sometimes very agreeable:—
“From Oxford it is informed, that on Sunday last was fortnight in the evening, Prince Rupert, accompanied with some lords, and other cavaliers, danced through the streets openly, with music before them, to one of the colleges; where, after they had stayed about half an houre, they returned back again, dancing with the same music; and immediately there followed a pack of women, or curtizans, as it may be supposed, for they were hooded, and could not be knowne; and this the party who related affirmed he saw with his own eyes.”
On this the Diurnal-maker pours out severe anathemas—and one with a note, that “dancing and drabbing are inseparable companions, and follow one another close at the heels.” He assures his readers, that the malignants, or royalists, only fight like sensual beasts, to maintain their dancing and drabbing!—Such was the revolutionary tone here, and such the arts of faction everywhere. The matter was rather peculiar to our country, but the principle was the same as practised in France. Men of opposite characters, when acting for the same concealed end, must necessarily form parallels.