[193] One of the most effective prophecies against London, and which frightened for the time a very large number of its inhabitants, was that given out in the spring of 1750, after a slight shock of an earthquake was felt in London, and it was prophesied that another should occur which would destroy the town and all its inhabitants. All the roads were thronged with persons flying to the country a day or two before the threatened event; and they were all unmercifully ridiculed when the day passed over quietly. Walpole in one of his amusing letters speaks of a party who went “to an inn ten miles out of town, where they are to play at brag till five in the morning, and then come back—I suppose, to look for the bones of their husbands and families under the rubbish!” Jokers who were out late amused themselves by bawling in the watchmen’s voice, “Past four o’clock, and a dreadful earthquake!” A pamphlet purporting to be “a full and true account” of this earthquake which never happened, was “printed for Tim Tremor, in Fleet-street, 1750,” and made the vehicle for much personal satire. Thus it is stated that the “Commissioners of Westminster-bridge have ordered this calamity to be entered in their books, as a glorious excuse for the next sinking pier;” and that the town received some comfort upon hearing that “the Inns of Court were all sunk, and several orders were given that no one should assist in bringing any one lawyer above ground.”
[194] An eye-witness of the great fire of London has noted the difficulty of obtaining effective assistance in endeavouring to stay its progress, owing to the superstition which seized many persons, because a prophecy of Mother Shipton’s was quoted to show that London was doomed to hopeless and entire destruction.
[195] “A Dark Lantherne, offering a dim Discovery, intermixed with Remembrances, Predictions, &c. 1652.”
[196] Hooker wrote this about 1560, and he wrote before the Siècle des Révolutions had begun, even among ourselves! He penetrated into this important principle merely by the force of his own meditation. At this moment, after more practical experience in political revolutions, a very intelligent French writer, in a pamphlet, entitled “M. da Villèle,” says, “Experience proclaims a great truth—namely, that revolutions themselves cannot succeed, except when they are favoured by a portion of the Government.” He illustrates the axiom by the different revolutions which have occurred in his nation within these thirty years. It is the same truth, traced to its source by another road.
DREAMS AT THE DAWN OF PHILOSOPHY.
Modern philosophy, theoretical or experimental, only amuses while the action of discovery is suspended or advances; the interest ceases with the inquirer when the catastrophe is ascertained, as in the romance whose dénouement turns on a mysterious incident, which, once unfolded, all future agitation ceases. But in the true infancy of science, philosophers were as imaginative a race as poets: marvels and portents, undemonstrable and undefinable, with occult fancies, perpetually beginning and never ending, were delightful as the shifting cantos of Ariosto. Then science entranced the eye by its thaumaturgy; when they looked through an optic tube, they believed they were looking into futurity; or, starting at some shadow darkening the glassy globe, beheld the absent person; while the mechanical inventions of art were toys and tricks, with sometimes an automaton, which frightened them with life.
The earlier votaries of modern philosophy only witnessed, as Gaffarel calls his collection, “Unheard-of Curiosities.” This state of the marvellous, of which we are now for ever deprived, prevailed among the philosophers and the virtuosi in Europe, and with ourselves, long after the establishment of the Royal Society. Philosophy then depended mainly on authority—a single one, however, was sufficient: so that when this had been repeated by fifty others, they had the authority of fifty honest men—whoever the first man might have been! They were then a blissful race of children, rambling here and there in a golden age of innocence and ignorance, where at every step each gifted discoverer whispered to the few, some half-concealed secret of nature, or played with some toy of art; some invention which with great difficulty performed what, without it, might have been done with great ease. The cabinets of the lovers of mechanical arts formed enchanted apartments, where the admirers feared to stir or look about them; while the philosophers themselves half imagined they were the very thaumaturgi, for which the world gave them too much credit, at least for their quiet! Would we run after the shadows in this gleaming land of moonshine, or sport with these children in the fresh morning of science, ere Aurora had scarcely peeped on the hills, we must enter into their feelings, view with their eyes, and believe all they confide to us; and out of these bundles of dreams sometimes pick out one or two for our own dreaming. They are the fairy tales and the Arabian Nights’ entertainments of science. But if the reader is stubbornly mathematical and logical, he will only be holding up a great torch against the muslin curtain, upon which the fantastic shadows playing upon it must vanish at the instant. It is an amusement which can only take place by carefully keeping himself in the dark.[197]
What a subject, were I to enter on it, would be the narratives of magical writers! These precious volumes have been so constantly wasted by the profane, that now a book of real magic requires some to find it, as well as a great magician to use it. Albertus Magnus, or Albert the Great, as he is erroneously styled—for this sage only derived this enviable epithet from his surname De Groot, as did Hugo Grotius—this sage, in his “Admirable Secrets,” delivers his opinion that these books of magic should be most preciously preserved; for, he prophetically added, the time is arriving when they would be understood! It seems they were not intelligible in the thirteenth century; but if Albertus has not miscalculated, in the present day they may be! Magical terms with talismanic figures may yet conceal many a secret; gunpowder came down to us in a sort of anagram, and the kaleidoscope, with all its interminable multiplications of forms, lay at hand for two centuries in Baptista Porta’s “Natural Magic.” The abbot Trithemius, in a confidential letter, happened to call himself a magician, perhaps at the moment he thought himself one, and sent three or four leaves stuffed with the names of devils and with their evocations. At the death of his friend these leaves fell into the unworthy hands of the prior, who was so frightened on the first glance at the diabolical nomenclature, that he raised the country against the abbot, and Trithemius was nearly a lost man! Yet, after all, this evocation of devils has reached us in his “Steganographia,” and proves to be only one of this ingenious abbot’s polygraphic attempts at secret writing; for he had flattered himself that he had invented a mode of concealing his thoughts from all the world, while he communicated them to a friend. Roger Bacon promised to raise thunder and lightning, and disperse clouds by dissolving them into rain. The first magical process has been obtained by Franklin; and the other, of far more use to our agriculturists, may perchance be found lurking in some corner which has been overlooked in the “Opus majus” of our “Doctor mirabilis.” Do we laugh at their magical works of art? Are we ourselves such indifferent artists? Cornelius Agrippa, before he wrote his “Vanity of the Arts and Sciences,” intended to reduce into a system and method the secret of communicating with spirits and demons.[198] On good authority, that of Porphyrius, Psellus, Plotinus, Jamblichus—and on better, were it necessary to allege it—he was well assured that the upper regions of the air swarmed with what the Greeks called dæmones, just as our lower atmosphere is full of birds, our waters of fish, and our earth of insects. Yet this occult philosopher, who knew perfectly eight languages, and married two wives, with whom he had never exchanged a harsh word in any of them, was everywhere avoided as having by his side, for his companion, a personage no less than a demon! This was a great black dog, whom he suffered to stretch himself out among his magical manuscripts, or lie on his bed, often kissing and patting him, and feeding him on choice morsels. Yet for this would Paulus Jovius and all the world have had him put to the ordeal of fire and fagot! The truth was afterwards boldly asserted by Wierus, his learned domestic, who believed that his master’s dog was really nothing more than what he appeared! “I believe,” says he, “that he was a real natural dog; he was indeed black, but of a moderate size, and I have often led him by a string, and called him by the French name Agrippa had given him, Monsieur! and he had a female who was called Mademoiselle! I wonder how authors of such great character should write so absurdly on his vanishing at his death, nobody knows how!” But as it is probable that Monsieur and Mademoiselle must have generated some puppy demons, Wierus ought to have been more circumstantial.