Litvinov dismissed him, and for a long while after he stood in deep thought before the window; at last, however, with a wave of his hand, he began again upon the letter from the country. His father poured out to him his usual complaints, asserting that no one would take their corn, even for nothing, that the people had got quite out of all habits of obedience, and that probably the end of the world was coming soon. ‘Fancy,’ he wrote, among other things, ‘my last coachman, the Kalmuck boy, do you remember him? has been bewitched, and the fellow would certainly have died, and I should have had none to drive me, but, thank goodness, some kind folks suggested and advised to send the sick man to Ryazan, to a priest, well-known as a master against witchcraft: and his cure has actually succeeded as well as possible, in confirmation of which I lay before you the letter of the good father as a document.’ Litvinov ran through this document with curiosity. In it was set forth: ‘that the serving-man Nicanor Dmitriev was beset with a malady which could not be touched by the medical faculty; and this malady was the work of wicked people; but he himself, Nicanor, was the cause of it, since he had not fulfilled his promise to a certain girl, and therefore by the aid of others she had made him unfit for anything, and if I had not appeared to aid him in these circumstances, he would surely have perished utterly, like a worm; but I, trusting in the All-seeing Eye, have become a stay to him in his life; and how I accomplished it, that is a mystery; I beg your excellency not to countenance a girl who has such wicked arts, and even to chide her would be no harm, or she may again work him a mischief.’
Litvinov fell to musing over this document; it brought him a whiff of the desert, of the steppes, of the blind darkness of the life mouldering there, and it seemed a marvellous thing that he should be reading such a letter in Baden, of all places. Meanwhile it had long struck midnight; Litvinov went to bed and put out his light. But he could not get to sleep; the faces he had seen, the talk he had heard, kept coming back and revolving, strangely interwoven and entangled in his burning head, which ached from the fumes of tobacco. Now he seemed to hear Gubaryov’s muttering, and fancied his eyes with their dull, persistent stare fastened on the floor; then suddenly those eyes began to glow and leap, and he recognised Madame Suhantchikov, and listened to her shrill voice, and involuntarily repeated after her in a whisper, ‘she did, she did, slap his face.’ Then the clumsy figure of Potugin passed before him; and for the tenth, and the twentieth time he went over every word he had uttered; then, like a jack in the box, Voroshilov jumped up in his trim coat, which fitted him like a new uniform; and Pishtchalkin gravely and sagaciously nodded his well-cut and truly well-intentioned head; and then Bindasov bawled and swore, and Bambaev fell into tearful transports.... And above all—this scent, this persistent, sweet, heavy scent gave him no rest, and grew more and more powerful in the darkness, and more and more importunately it reminded him of something which still eluded his grasp.... The idea occurred to Litvinov that the scent of flowers at night in a bedroom was injurious, and he got up, and groping his way to the nosegay, carried it into the next room; but even from there the oppressive fragrance penetrated to him on his pillow and under the counterpane, and he tossed in misery from side to side. A slight delirium had already begun to creep over him; already the priest, ‘the master against witchcraft’ had twice run across his road in the guise of a very playful hare with a beard and a pig-tail, and Voroshilov was trilling before him, sitting in a huge general’s plumed cock-hat like a nightingale in a bush.... When suddenly he jumped up in bed, and clasping his hands, cried, ‘Can it be she? it can’t be!’
But to explain this exclamation of Litvinov’s we must beg the indulgent reader to go back a few years with us.
[VII]
Early in the fifties, there was living in Moscow, in very straitened circumstances, almost in poverty, the numerous family of the Princes Osinin. These were real princes—not Tartar-Georgians, but pure-blooded descendants of Rurik. Their name is often to be met with in our chronicles under the first grand princes of Moscow, who created a united Russia. They possessed wide acres and many domains. Many a time they were rewarded for ‘service and blood and disablement.’ They sat in the Council of Boyars. One of them even rose to a very high position. But they fell under the ban of the empire through the plots of enemies ‘on a charge of witchcraft and evil philtres,’ and they were ruined ‘terribly and beyond recall.’ They were deprived of their rank, and banished to remote parts; the Osinins fell and had never risen again, had never attained to power again. The ban was taken off in time, and they were even reinstated in their Moscow house and belongings, but it was of no avail. Their family was impoverished, ‘run to seed’; it did not revive under Peter, nor under Catherine; and constantly dwindling and growing humbler, it had by now reckoned private stewards, managers of wine-shops, and ward police-inspectors among its members. The family of Osinins, of whom we have made mention, consisted of a husband and wife and five children. It was living near the Dogs’ Place, in a one-storied little wooden house, with a striped portico looking on to the street, green lions on the gates, and all the other pretensions of nobility, though it could hardly make both ends meet, was constantly in debt at the green-grocer’s, and often sitting without firewood or candles in the winter. The prince himself was a dull, indolent man, who had once been a handsome dandy, but had gone to seed completely. More from regard for his wife, who had been a maid-of-honour, than from respect for his name, he had been presented with one of those old-fashioned Moscow posts that have a small salary, a queer-sounding name, and absolutely no duties attached. He never meddled in anything, and did nothing but smoke from morning till night, breathing heavily, and always wrapped in a dressing-gown. His wife was a sickly irritable woman, for ever worried over domestic trifles—over getting her children placed in government schools, and keeping up her Petersburg connections; she could never accustom herself to her position and her remoteness from the Court.
Litvinov’s father had made acquaintance with the Osinins during his residence at Moscow, had had occasion to do them some services, and had once lent them three hundred roubles; and his son often visited them while he was a student; his lodging happened to be at no great distance from their house. But he was not drawn to them simply as near neighbours, nor tempted by their comfortless way of living. He began to be a frequent visitor at their house after he had fallen in love with their eldest daughter Irina.
She had then completed her seventeenth year; she had only just left school, from which her mother withdrew her through a disagreement with the principal. This disagreement arose from the fact that Irina was to have delivered at a public function some verses in French, complimentary to the curator, and just before the performance her place was filled by another girl, the daughter of a very rich spirit-contractor. The princess could not stomach this affront; and indeed Irina herself never forgave the principal for this act of injustice; she had been dreaming beforehand of how she would rise before the eyes of every one, attracting universal attention, and would deliver her speech, and how Moscow would talk about her afterwards!... And, indeed, Moscow would have talked about her afterwards. She was a tall, slim girl, with a somewhat hollow chest and narrow unformed shoulders, with a skin of a dead-white, rare at her age, and pure and smooth as china, with thick fair hair; there were darker tresses mingled in a very original way with the light ones. Her features—exquisitely, almost too perfectly, correct—had not yet quite lost the innocent expression that belongs to childhood; the languid curves of her lovely neck, and her smile—half-indifferent, half-weary—betrayed the nervous temperament of a delicate girl; but in the lines of those fine, faintly-smiling lips, of that small, falcon, slightly-narrow nose, there was something wilful and passionate, something dangerous for herself and others. Astounding, really astounding were her eyes, dark grey with greenish lights, languishing, almond-shaped as an Egyptian goddess’s, with shining lashes and bold sweep of eyebrow. There was a strange look in those eyes; they seemed looking out intently and thoughtfully—looking out from some unknown depth and distance. At school, Irina had been reputed one of the best pupils for intelligence and abilities, but of uneven temper, fond of power, and headstrong; one class-mistress prophesied that her passions would be her ruin—‘vos passions vous perdront’, on the other hand, another class-mistress censured her for coldness and want of feeling, and called her ‘une jeune fille sans cœur.’ Irina’s companions thought her proud and reserved: her brothers and sisters stood a little in awe of her: her mother had no confidence in her: and her father felt ill at ease when she fastened her mysterious eyes upon him. But she inspired a feeling of involuntary respect in both her father and her mother, not so much through her qualities, as from a peculiar, vague sense of expectations which she had, in some undefined way, awakened in them.
‘You will see, Praskovya Danilovna,’ said the old prince one day, taking his pipe out of his mouth, ‘our chit of an Irina will give us all a lift in the world yet.’
The princess got angry, and told her husband that he made use of ‘des expressions insupportables’; afterwards, however, she fell to musing over his words, and repeated through her teeth: