King's men were essentially Public School men. Few rich young men from Eton came to a foundation which was neither particularly notable nor particularly notorious. Wealth is not scrupulous as to which of those types it favours, but it abhors the mean. Nor did the Grammar Schools or the colonies supply more than a tithe of the college, which drew mainly upon the middle rank of Public Schools. Herein lay both its strength and its weakness. Its strength lay in its freedom from cranks and bores, its weakness lay in its uniformity: a house which is not divided in itself may stand firm, but it is likely to be a dull and gloomy mansion.
Martin would have preferred to go to Balliol or New College, but as he was paid eighty pounds a year to go to King's there was no profit in grumbling. And so he set to work to find company, in which respect he was indeed fortunate. While many of the freshers turned out to be good men and dull, some even bad men and dull, the scholars were all interesting. The uniformity of Public School tone naturally drove the more critical together, and in Martin's year the house was saved from gloom by at least a partial cleavage. Necessity aided inclination in forming the Push.
The Push consisted of five men and contained a governing trinity. These were Martin, Lawrence and Rendell. Rendell, the first classical scholar, was attached to what the others called the ineffable effs—Fabianism, Feminism and Faith. His god was paradoxical, but not so exciting as Mr Chesterton's, and more interested in Social Reform and Municipal Trading than in beer and ballads.
Rendell managed to entertain his various faiths without becoming a prig or a Puritan. During his first months of emancipation from school he had shown a suspicious hankering after beans and djibba-clad women, but Martin and Lawrence suppressed such tendencies with a firm hand. Rendell, though not pliable on the subject of religion, yielded on this point and soon declared his complete contempt for the eating of vegetables and drinking of ginger ale.
Lawrence was primarily noticeable for size. He was six foot three and broad in proportion: he had a ruddy and cheerful countenance and prodigious hands and feet. Essentially he believed in violence. He didn't care twopence, he declared, for Fabianism or Construction Policies and professed an intense desire to smash things, especially religion and the social system. He called himself a Neo-Nietzschean, but he certainly could not have distinguished between Neo- and Palæo-Nietzscheans. To tell the truth, he had, like many followers of that great dyspeptic, never read a word of him. Lawrence hated music, except the Marseillaise (for its associations) and the Barcarole (for its effects) but he was taught at Oxford to like Sullivan. He read the poems of John Davidson and the philosophy of Georges Sorel. In smoking, eating and drinking he did all that might be expected of him, and he could play rugger amazingly well when he was not too lazy to turn out.
The trinity talked to each other all day and all night, and there were soon very few problems of the universe which had not been satisfactorily settled.
The need for a new point of view became apparent.
"Let's have that fellow Chard in," suggested Martin.
"Coffee in my rooms?" said Lawrence.
"Right-o! To-morrow night, if he'll come."