On the left hand is an illustration of the mode in which the Australian savage, without the least idea of the theory of Acoustics, utilises the sound-conducting power of wood. If he wishes to know whether or not a hollow tree is tenanted by an animal of which he is in pursuit, he places his ear against the tree, taps it smartly with his tomahawk, and listens for the movement of the animal inside.
So delicate is this test, that it is employed even when the native is hunting for the large beetle-grubs on which they feed, and which are accounted a luxury even by Europeans, when they have once overcome the prejudice attaching itself to eating, without cookery, fat white grubs as thick and long as a man’s finger.
The Aye-aye is said to eat in exactly the same manner, tapping with its long finger the trunks and branches of trees and, if it hears a maggot inside, gnawing it out.
Measurement of Sound.
Of late years we have had an instrument which enables us to measure the vibrations of sound as accurately as the barometer measures the weight of the atmosphere, the thermometer the temperature, and the photometer the power of light. This is the Siren, which is shown on the right hand of the accompanying illustration.
To explain this instrument fully would require ten times the space which we have at command, and necessitate a great number of drawings. I will, therefore, endeavour to explain its principle in as brief terms as possible.
The reader will observe that at the lower part of the instrument there is a disc pierced with a number of holes, and that above these are two dials. Below the perforated disc, and therefore unseen, is a circular plate, also pierced with holes. When a pipe is attached to the lower part of the instrument, and air propelled through it, the disc begins to revolve, every revolution being recorded by the dials, after the fashion of the ordinary gas-meter.
As the pressure is increased, the air, passing through the holes, assumes a rhythmical beat, which soon becomes metamorphosed into musical notes. It is evident, therefore, that, by means of this instrument, the number of vibrations which produce a definite tone can be measured with absolute accuracy by any one who has an ear capable of appreciating a musical note.
It is by means of the Siren that the much-disputed tonic of C will be settled, the Continental and the English C being greatly at variance, and even the English C having been advanced almost a tone since the time of Handel. Much is it to be wished that Italy, the home of song, and England, the patron of song, could unite in their tonic, instead of having systems so widely different that an Italian singer is at a loss with the English pitch, as is an English singer with the Italian pitch.