“Over the breast,
And o’er the golden breastplate of the King,
A feathery cuirass, beautiful to eye,
Light as the robe of peace, yet strong to save;
For the sharp faulchion’s baffled edge would glide
From its smooth softness.”
Then, in the course of the combat, when the King has been grappled in Madoc’s arms and forced to drop his buckler and club, the narrative proceeds:—
“Which when the Prince beheld,
He thrust him off, and drawing back, resumed
The sword that from his wrist suspended hung,
And twice he smote the King. Twice from the quilt
Of plumes the iron glides.”
If such armour could in truth resist the weapons which have been discovered, it must have been a wonderfully strong garment, for the Mexican swords, though made of wood, are edged with flakes of obsidian, which cuts like a razor. I have a number of these flakes, which have evidently been intended for the edges of a sword, but have not been used.
There is another kind of armour which is still used in some parts of the world, and at one time was employed in this country. This is the Quilt Armour, which is made by enclosing a thick layer of some fibre, such as silk or cotton, between two pieces of fabric, and then sewing them across and across, so as to keep the lining or stuffing in its place.
The eider-down quilts are familiar examples of such fabrics, and so are the quilted petticoats, which are so comfortable in winter. Horsehair and flock mattresses are made in a similar manner.
Insufficient as it may appear to be, the quilt armour, when well made, is really proof against most weapons, even against firearms, as we shall presently see. Being very much lighter than steel, it was easier for the wearer, its chief drawback being that its extreme thickness gave it a very clumsy and awkward look. Those who wore it, however, cared more for their safety than their appearance, as was exemplified by James I., who lived in perpetual fear of assassination, but who had a nervous dislike to arms, whether offensive or defensive. He therefore wore a cuirass quilted with silk, which answered every purpose of defence, while it did not offend his nerves.
Perhaps the reader may remember that in “Peveril of the Peak” Sir Walter Scott gives a ludicrous picture of the timid justice, his fears of the Popish plot, his suit of quilted armour, and his “Protestant Flail” with which he hits himself on the head instead of striking his supposed enemy:—
“Some ingenious artist, belonging, we may presume, to the worshipful Mercers’ Company, had contrived a species of armour of which neither the horse armoury in the Tower, nor Gwynnap’s Gothic Hall, no, nor Dr. Meyrick’s invaluable collection of ancient arms, has preserved any specimen.
“It was called Silk-armour, being composed of a doublet and breeches of quilted silk, so closely stitched, and of such thickness, as to be proof against either bullet or steel, while a thick bonnet of the same materials, with ear-flaps attached to it, and on the whole much resembling a nightcap, completed the equipment, and ascertained the security of the wearer from the head to the knee. Master Maulstatute, among other worthy citizens, had adopted this singular panoply, which had the advantage of being soft, and warm and flexible, as well as safe. And he was sat in his judicial elbow-chair—a short, rotund figure, hung round, as it were, with cushions, for such was the appearance of the quilted garments—and with a nose protruded from under the silken casque, the size of which, together with the unwieldiness of the whole figure, gave his worship no indifferent resemblance to the sign of the Hog in Armour, which was considerably improved by the defensive garment being of a dusky orange colour, not altogether unlike the hue of those half-wild swine which are to be found in the forests of Hampshire.”