Tablets from tombs.Some examples of these tablets have been found in a good state of preservation in Graeco-Egyptian tombs and during recent excavations in Pompeii.
Part of a poem in Greek written in large uncial characters is still legible on the single leaf of a pair of tablets from Memphis in Egypt, which is now in the British Museum. Though the coating of wax has nearly all perished, the sharp stilus has marked through on to the wood behind the wax, so that the writing is still legible. Its date appears to be shortly before the Christian era[[4]].
| Pompeian tablets. |
Pompeian tablets.Some well preserved pugillares found in Pompeii are now in the Museum in Naples; the writing on them is of less interest, consisting merely of accounts of expenditure. Though the wood is blackened and the wax destroyed, the writing is still perfectly visible on the charred surface.
A more costly form of pugillares was made of bone or ivory[[5]]; in some cases the back of each ivory leaf was decorated with carving in low relief.
| Consular diptychs. |
Consular diptychs.A good many examples of these tablets, dating from the third to the sixth century A.D., still exist. These late highly decorated pugillares are usually known as Consular diptychs, because, as a rule, they have on the carved back the name of a Consul, and very frequently a representation of the Consul in his pulvinar or state box presiding over the Games in the Circus. It is supposed that these ivory diptychs were inscribed with complimentary addresses and were sent as presents to newly appointed officials in the time of the later Empire.
| Many-leaved tablets. |
Many-leaved tablets.In some cases the ancient writing-tablets consisted of three or more leaves hinged together (τρίπτυχα, πεντάπτυχα &c.); this was the earliest form of the codex or book in the modern sense of the word. The inner leaves of these codices had sinkings to receive the wax on both sides; only the backs of the two outer leaves being left plain or carved in relief to form the covers.
| Waxed tablets. |