Now hath uche riche a reule · to eten by hym-selve
In a pryve parloure · for pore mennes sake,
Or in a chambre with a chymneye · and leve the chief halle,
That was made for meles · men te eten inne.

"Visions Concerning Piers Plowman" (ed. Skeat), text B, passus x. line 96.

[439] For this tapestry the king paid thirty pounds to Thomas de Hebenhith, mercer of London. ("Wardrobe accounts of Edward II."—"Archæologia," vol. xxvi. p. 344.)

[440] Will of the Black Prince, in Nichols, "A Collection of Wills," London, 1780, 4to; inventory of the books of Falstofe (who died under Henry VI.), "Archæologia," vol. xxi. p. 232; in one single castle belonging to him, that of Caister near Yarmouth, were found after his death 13,400 ounces of silver. Already, in the thirteenth century, Henry III., who had a passion for art, had caused to be painted in his chamber in the Tower the history of Antioch (3rd crusade), and in his palace of Clarendon that "Pas de Saladin" which was the subject of one of the Black Prince's tapestries; he had a painting of Jesse on the mantelpiece of his chimney at Westminster. (Hardy, "A description of the close rolls in the Tower," London, 1833, 8vo, p. 179, and Devon, "Issues of the Exchequer," 1837, p. 64.) He was so fond of the painting executed for him at Clarendon, that he ordered it to be covered with a linen cloth in his absence, so that it would not get injured. In the fourteenth century the walls were hung instead of being painted, as in the thirteenth; rich people had "salles"—that is to say, suits of hangings for a room. Common ones were made at Norwich; the finest came from Flanders.

[441] These recipes and counsels are found in: "The forme of Cury, a roll of ancient English cookery compiled about a.d. 1390, by the master-cook of King Richard II.," ed. Pegge, London, 1780, 8vo (found too in the "Antiquitates Culinariæ," of Warner, 1791, 4to). The prologue informs us that this master-cook of Richard's had been guided by principle, and that the book "was compiled by assent and avysement of maisters [of] phisik and of philosophie that dwellid in his court."—"The boke of Nurture folowyng Englondis gise by me John Russell," ed. Furnivall, Early English Text Society, 1868, 8vo. Russell was marshal of the hall to Humphrey, duke of Gloucester; he wrote when he was old, in the first part of the fifteenth century; as he claims to teach the traditions and good manners of former times, it must be supposed the customs he describes date from the reign of Richard II. See below, p. 515.

[442] Year 1363. The "aignel" and the "gopil" are, however, tolerated. "Rotuli Parliamentorum," vol. ii. p. 281.

[443] "Issues of the Exchequer," ed. Devon, 1837, pp. 142, 147, 189, 209, 6 Ed. III. Richard II. pays 400 pounds for a carriage for the queen, and for a simple cart 2 pounds only. Ibid., pp. 236 and 263.

[444] The verses of the Black Prince (below, page 353) are found in his will, together with minute details concerning the carvings with which his tomb must be adorned, and the manner he wishes to be represented on it, "tout armez de fier de guerre." Stanley, "Historical Memorials of Canterbury," 1885, p. 132. The tomb of Richard II. at Westminster was built in his lifetime and under his eyes. The original indentures have been preserved, by which "Nicholas Broker et Godfrey Prest, citeins et copersmythes de Loundres" agree to have the statues of Richard and Anne made, such as they are seen to day with "escriptures en tour la dite toumbe," April 14, 1395. Another contract concerns the marble masonry; both are in the Record Office, "Exchequer Treasury of the recipt," "Miscellanea," 3/40.

[445] "Le livre du chevalier de la Tour Landry pour l'enseignement de ses filles," ed. Montaiglon, Paris, 1854, 12mo, pp. 46 and 98, written in 1371.

[446] "Et hominem nudum coram se stantem prospexit, secundum cujus formosam imaginem crucifixum ipsum aptius decoraret." "Chronica monasterii de Melsa," ed. Bond, Rolls, 1868, vol. iii. p. 35. Hugh of Leven, who ordered this crucifix, was abbot from 1339 to 1349. Thomas of Burton, author of the chronicle, compiled it at the end of the fourteenth century.