[447] The Commons point out that, as the royal purveyors "abatent et ount abatuz les arbres cressauntz entour les mansions des gentz de ladite commune, en grant damage, gast et blemissement de lour mansions, qe plese à Nostre Seigneur le Roi que desoremes tiels arbres ne seront copés ne pris en contre la volonté des seigneurs des ditz mansions."
Answer: "Il semble au conseil qe ceste petition est resonable." "Rotuli Parliamentorum," 25 Ed. III., vol. ii. p. 250.
CHAPTER II.
CHAUCER.
The new nation had its poet, Geoffrey Chaucer. By his origin, his education, his tastes, his manner of life, as well as by his writings, Chaucer represents the new age; he paints it from nature, and is a part of it. His biography is scarcely less characteristic than his works, for he describes nothing through hearsay or imagination. He is himself an actor in the scenes he depicts; he does not dream, he sees them.
His history is a sort of reduction of that of the English people at that day. They are enriched by trade, and Chaucer, the son of merchants, grows up among them. The English people no longer repair to Paris in order to study, and Chaucer does not go either; their king wages war in France, and Chaucer follows Edward along the military roads of that country; they put more and more trust in Parliament, and Chaucer sits in Parliament as member for Kent. They take an interest in things of beauty, they are fond of the arts, and want them to be all aglow with ornamentation and bright with smiles; Chaucer is clerk of the king's works, and superintends the repairs and embellishments of the royal palaces. Saxon monotony, the sadness that followed after Hastings, are forgotten past memory; this new England knows how to laugh and also how to smile; she is a merry England, with bursts of joy, and also an England of legends, of sweet songs, and of merciful Madonnas. The England of laughter and the England of smiles are both in Chaucer's works.
I.
Chaucer's life exactly fills the period we have now come to, during which the English people acquired their definitive characteristics: he was born under Edward III. and he died shortly after the accession of Henry of Lancaster. At that time Petrarch and Boccaccio were long since dead, France had no poet of renown, and Chaucer was without comparison the greatest poet of Europe.