'It is best that you should know the truth,' he said at last. 'No doubt you expect to be paid by the Minotaur, but I am afraid there is little hope of that—unless you dun them. A friend of mine sent them something lately, and Roper (the editor, you know) wrote asking him for more. He sent two or three other things, and then called at the office, expecting to be paid.'
'Was he not?'
'On the contrary,' said Rorrison, 'Roper asked him for the loan of five pounds.'
Rob's face grew so long that even the hardened Rorrison tried to feel for him.
'You need not let an experience that every one has to pass through dishearten you,' he said. 'There are only about a dozen papers in London that are worth writing for, but I can give you a good account of them. Not only do they pay handsomely, but the majority are open to contributions from any one. Don't you believe what one reads about newspaper rings. Every thing sent in is looked at, and if it is suitable any editor is glad to have it. Men fail to get a footing on the Press because—well, as a rule, because they are stupid.'
'I am glad to hear you say that,' said Rob, 'and yet I had thirty articles rejected before the Minotaur accepted that one.'
'Yes, and you will have another thirty rejected if they are of the same kind. You beginners seem able to write nothing but your views on politics, and your reflections on art, and your theories of life, which you sometimes even think original. Editors won't have that because their readers don't want it. Every paper has its regular staff of leader-writers, and what is wanted from the outside is freshness. An editor tosses aside your column and a half about evolution, but is glad to have a paragraph saying that you saw Herbert Spencer the day before yesterday gazing solemnly for ten minutes in at a milliner's window. Fleet Street at this moment is simply running with men who want to air their views about things in general.'
'I suppose so,' said Rob dolefully.
'Yes, and each thinks himself as original as he is profound, though they have only to meet to discover that they repeat each other. The pity of it is, that all of them could get on to some extent if they would send in what is wanted. There is copy in every man you meet, and, as a journalist on this stair says, when you do meet him you feel inclined to tear it out of him and use it yourself.'
'What sort of copy?' asked Rob.