When a Man's Single: A Tale of Literary Life

by J. M. Barrie

'They should write of the things they have seen. Newspaper readers have an insatiable appetite for knowing how that part of the world lives with which they are not familiar. They want to know how the Norwegians cook their dinners and build their houses, and ask each other in marriage.'

'But I have never been out of Britain.'

'Neither was Shakspeare. There are thousands of articles in Scotland yet. You must know a good deal about the Scottish weavers—well, there are articles in them. Describe the daily life of a gillie: "The Gillie at Home" is a promising title. Were you ever snowed up in your saw-mill? Whether you were or not, there is a seasonable subject for January. "Yule in a Scottish Village" also sounds well, and there is a safe article in a Highland gathering.'

'These must have been done before, though,' said Rob.

'Of course they have,' answered Rorrison; 'but do them in your own way: the public has no memory, and besides, new publics are always springing up.'

'I am glad I came to see you,' said Rob, brightening considerably; 'I never thought of these things.'

'Of course you need not confine yourself to them. Write on politics if you will, but don't merely say what you yourself think; rather tell, for instance, what is the political situation in the country parts known to you. That should be more interesting and valuable than your individual views. But I may tell you that, if you have the journalistic faculty, you will always be on the look-out for possible articles. The man on the stair I have mentioned to you would have had an article out of you before he had talked with you as long as I have done. You must have heard of Noble Simms?'

'Yes, I know his novel,' said Rob; 'I should like immensely to meet him.'

'I must leave you an introduction to him,' said Rorrison; 'he wakens most people up, though you would scarcely think it to look at him. You see this pipe here? Simms saw me mending it with sealing-wax one day, and two days afterwards there was an article about it in the Scalping Knife. When I went off for my holidays last summer I asked him to look in here occasionally and turn a new cheese which had been sent me from the country. Of course he forgot to do it, but I denounced him on my return for not keeping his solemn promise, so he revenged himself by publishing an article entitled "Rorrison's Oil-Painting." In this it was explained that just before Rorrison went off for a holiday he got a present of an oil-painting. Remembering when he had got to Paris that the painting, which was come to him wet from the easel, had been left lying on his table, he telegraphed to the writer to have it put away out of reach of dust and the cat. The writer promised to do so, but when Rorrison returned he found the picture lying just where he left it. He rushed off to his friend's room to upbraid him, and did it so effectually that the friend says in his article, "I will never do a good turn for Rorrison again!"'

'But why,' asked Rob, 'did he turn the cheese into an oil-painting?'