This is not a church, but a boys' school, from which a good many choristers are drawn, and where excellent results have been obtained. The boys have often won prizes in choral competitions. Mr. H. A. Donald, the headmaster, tells me that he examines the voices of the boys one by one in his own room, once a year. Those who can take G and A

[[Listen]] sweetly and easily are put down as first trebles. Those who can go below C

[[Listen]] are altos. The rest are second trebles. He finds that after a year a boy's voice will often have changed—a treble become an alto, or vice versa. In modulator practice, and as far as possible in pieces of music, he keeps the trebles above

. [[Listen]] Below this they get coarse. He never gives on the modulator an ascending passage which begins below this G. One may leap up, and come down by step, but not ascend by step. He uses Mr. Proudman's "Voice-training Exercises" (J. Curwen & Sons) for first trebles, and his contralto exercises for contraltos. Coarseness he checks at once, and he silences boys whose voices are breaking.

CHAPTER XIII.