The most convenient manner of proceeding in regard to the use of the individual eyes is to apply the left eye to the eye-piece, so that the right eye may be used in finding the stage-movements, or in moving the slide, without removing the eye from the eye-piece. If this arrangement be adopted, the light should be placed towards the left-hand side of the microscope. But the best way to avoid injuring the sight would be to use both eyes for viewing the objects in turn, although most microscopic observers make use of one eye only for this purpose.
The structure of many transparent objects can be best seen when the mirror is turned more or less obliquely to one side, so as to view them by oblique light, as it is called: we shall refer to this point hereafter.
As a rule, objects are best seen by transmitted light, or as transparent objects, although it is well to examine objects under both kinds of illumination, i. e. by transmitted and reflected light.
If during the use of the microscope, after removing the eye from the instrument, the impression of the light remains perceptible to the sight, the light used has been too strong, or its action too long continued; and the instrument should be at once laid aside for a time.
CHAPTER II.
THE MOUNTING OF OBJECTS.
THE mounting or “putting up” of microscopic objects signifies their preparation in such way that they may be preserved for future reference and observation.
As a general rule, objects should be mounted in that manner by which their structure is best and most clearly shown; but in certain instances the objects are mounted so as to make their structure difficult of detection, that they may form test-objects of the power and quality of the microscope.
Some objects require to be mounted in the dry state, while others are best mounted in liquid; some again as opake, others as transparent objects: these must be considered separately.
Dry opake objects were formerly mounted by gumming them upon small coin-shaped pieces or disks of cork, blackened upon the surface with a mixture of fine lamp-black and thin warm size, laid on with a hair-pencil. They were kept in a drawer, to the bottom of which a sheet of cork was glued, the disk being transfixed by the pin, so that the free or projecting pointed end of the pin could be thrust into the sheet-cork. This plan may still be adopted in the case of common objects, as seeds, &c.; but it is objectionable, on account of the facility with which the bare objects are knocked off or injured by dust.
Hence dry opake objects are usually mounted in such manner as to be enclosed in a cell, the sides being formed by a ring of glass-tube or cork, or a square piece of leather, cardboard, or paper, with a hole cut or punched out of the middle. The glass rings are best; but as they are expensive, some of the other substances are generally used. The size and thickness of the material from which the rings are made must obviously vary according to the size and depth of the object. The rings are cemented to the middle of ordinary slides; and it is best to keep a number of them ready prepared. The cementing material must vary according to the nature of the ring used. If this consists of glass, Canada-balsam or marine glue is best. In using the former, the ring is gently heated over the flame of the spirit-lamp, and a thin layer of the balsam applied to its upper or under surface, by means of an iron wire with a little balsam on its end; it is next warmed over the spirit-lamp, so that the surface is entirely and evenly coated. A clean slide is then slightly heated, the ring laid upon it, and gentle pressure is used to squeeze out the excess of balsam; and the slide is kept at a gentle heat, until on cooling the balsam becomes so hard as not to be indented with the finger-nail. Marine glue is applied in the same way as the balsam, except that prolonged heat is not required to harden it, for it becomes hard on cooling. The balsam may also be replaced by black japan or asphalte.