The pieces of cork, leather, or paper are best fastened to the slides with solution of shellac or sealing-wax in methylated alcohol, or with white hard varnish.
When the ring or piece has been firmly fixed to the slide by either of the above cementing materials, so as to form the sides of the cell, the bottom is to be covered with a piece of black paper, cut to fit it exactly, and fastened to the surface of the slide with a little gum, or of either of the above varnishes. As soon as this is thoroughly dry, the upper surface of the cell-wall, whether of glass or cork, &c., is thinly covered with varnish, and a clean thin-glass cover laid upon it, and very lightly pressed; the object is then permanently preserved.
The main points to be observed are, that the object and varnish are completely dry, and that the cell is thoroughly closed. If the latter be not the case, more varnish must be applied to any little openings which may have been left; and it is better to apply the varnish in very small quantities at a time, the application being renewed as soon as the previous layer is quite dry.
Dry transparent objects are usually small and delicate; for, unless they are so, their structure cannot be well seen. In mounting these, a square piece of note-paper or tracing-paper, with the centre cut out, may be fastened to a clean slide with a little paste, gum, or shellac varnish. When this is thoroughly dry, the object is placed in the vacant space, a clean dry cover laid on, and the varnish applied by means of a hair-pencil to the edges in very small quantities. This will run in between the under surface of the edges of the cover and the upper surface of the paper, and when dry will cement the two together.
Supposing that the object is so delicate that it cannot be removed from the surface of a slide, if it will not be injured by heat, a good plan is to draw a square or circle around the object with a little black japan, then to heat the slide gradually until the japan is not indented with the finger-nail when cold. A clean slide is then laid upon the ring of japan, the whole again gently warmed, until the varnish is softened, and the cover lightly pressed so as to be in contact all round with the varnish. The slide must then be rapidly cooled, by being laid upon a piece of metal, which prevents the varnish from running in so as to spoil the object.
Many dry transparent objects can be preserved by mounting in Canada balsam. This is the best process for mounting objects in general; but only those can be so preserved which are not injured by drying, and which are not rendered too transparent by the balsam. If the object to be mounted in balsam be small, it is thoroughly dried, and then a drop of oil of turpentine added to it upon a slide; the slide is then gently warmed, which causes the turpentine to evaporate. When this has nearly all evaporated, a drop of balsam is allowed to fall upon the object from the end of a wire held at a distance above the flame of a spirit-lamp. A warmed cover is next laid upon the balsam, and gentle pressure applied until the cover is sufficiently depressed. The slide is then kept at a gentle heat until the balsam is quite hard when cold. The superfluous portions may be removed with the point of a knife, and any residues cleaned off with turpentine or a little benzole on a cloth.
Another way consists in laying a cover upon the dry object on a slide, adding a drop of turpentine, and warming the whole over a spirit-lamp until all air-bubbles are displaced, then continuing the application of the heat until most of the turpentine has evaporated. A drop or more of the balsam may next be applied to the edge of the cover, when it will run in and mix with the turpentine. The whole is then gently heated until the balsam is hard when cold, more balsam being added if necessary, to replace the turpentine which has evaporated.
When the objects are large, they should be pressed as flat as possible without injury between two slides, being retained until dry by enclosure between the prongs of an American clothes-peg; or the slides may be fastened at the ends by sealing-wax. When perfectly dry, the object should be immersed in turpentine, kept in a common gallipot, until all the air-bubbles have been entirely displaced, and the object appears very transparent. It is then removed from the turpentine with forceps, drained, laid upon a slide, and melted balsam dropped upon it until it is quite covered. A clean dry slide is then laid upon its surface, and the two slides gently pressed together, the two slides fixed at the ends by sealing-wax, and the whole allowed to cool and dry. If requisite, more balsam is added to fill up any vacuities. When the balsam has become hard, the excess is cleaned away with a knife and turpentine, and the object is permanently mounted.
If the object should be spoiled by the presence of air-bubbles, the slides and object should be immersed in turpentine or methylated alcohol, until the whole of the balsam is dissolved; the remounting may then be proceeded with as at first. If the slides have been immersed in the alcohol (which is the quickest method), the object must be soaked in turpentine before the balsam is reapplied.
If, after an object has been mounted in balsam, on applying heat, bubbles resembling air-bubbles should be formed, the object must not be considered as spoiled; for these are merely bubbles of the vapour of turpentine, and will disappear spontaneously after a little time.