[277] Garrick’s Prologue to the Maid of the Oaks, 1774.
[278] La Haye, par de Fonseca. 1853.
[279] Crowle Pennant, vol. viii.
CHAPTER V.
BIRDS AND FOWLS
Thomas Coryatt, a gentleman from Somerset, who travelled over a great part of Europe in the reign of King James I., and wrote an amusing account of his travels, gives a curious instance of the prevalence of signs in Paris representing birds. Speaking of the bridges over the Seine, he says one of them is “the Bridge of Birdes, formerly called the Millar’s Bridge. The reason why it is called the Bridge of Birdes is because all the signes belonging unto shops on each side of the streete are signes of birdes.”[280] They never were so general in England, though certainly the Cock and the Swan appear to have found more votaries than any other signboard animals. The Eagle is not nearly so common; some we have mentioned in a former part as undoubtedly of heraldic origin. From this source the Golden Eagle may be derived; it was the emblem of the Eastern Empire, and occurs in various family arms; but it is also a fera naturæ. It was, in 1711, the sign of James Levi, a bookseller in the Strand, near the Fountain Tavern. The Eagle and Ball, of which there are two in Birmingham, was suggested by the imperial eagle standing on the globe, or the spread eagle with the globe in his talon. The Eagle and Serpent, or the Eagle and Snake, is a mediæval emblem of courage united to prudence.
Mythical birds also have been in great favour. The burning and reviving of the Phœnix, for instance, like the salamander and the dragon, typified certain transformations obtained by chemistry, whence he was a very general sign with chemists, and may still be seen on their drug-pots and transparent lamps. The firm of Godfrey and Cooke, for instance, have adhered to it ever since the opening of their establishment, A.D. 1680. Persons of a highly imaginative turn will probably shudder to think of the awful quantities of physic prepared by this house in those 184 years. The pills, if piled up like cannon-balls, would make pyramids higher than those of Gizeh; the draughts would be sufficient to cover the earth with a nauseous deluge; and the powders, if blown about by an evil wind, levelling valleys and mountains, would change the whole of Europe into a medicated desert. The original shop referred to by the date 1680 stood in Southampton Street, and there phosphorus was first manufactured by the predecessor of this firm, Hanckwitz, a Pole or Russian by birth, who advertised it wholesale at 50s., and retail at £3 the ounce. Ambrose Godfrey was his successor.
Not only apothecaries used this emblem, but all kinds of shops adopted it. In the time of James I. it was the sign of one of the places where plays were acted in Drury Lane,—sometimes also called the Cockpit Theatre. This was destroyed by the unruly apprentices during one of their saturnalia. Being rebuilt, it was sacked a second time by the Parliamentary soldiers. In Charles II.’s piping times of peace Killigrew’s troop of “the king’s servants” played in it, until they removed to the theatre in Lincoln’s Inn.