'Mr. Langton and he having gone to see a Freemason's funeral procession, when they were at Rochester, and some solemn musick being played on French horns, he said, "This is the first time that I have ever been affected by musical sounds;" adding, "that the impression made upon him was of a melancholy kind." Mr. Langton saying, that this effect was a fine one,—JOHNSON. "Yes, if it softens the mind, so as to prepare it for the reception of salutary feelings, it may be good: but inasmuch as it is melancholy per se, it is bad."'
'Goldsmith had long a visionary project, that some time or other when his circumstances should be easier, he would go to Aleppo, in order to acquire a knowledge as far as might be of any arts peculiar to the East, and introduce them into Britain. When this was talked of in Dr. Johnson's company, he said, "Of all men Goldsmith is the most unfit to go out upon such an inquiry; for he is utterly ignorant of such arts as we already possess, and consequently could not know what would be accessions to our present stock of mechanical knowledge. Sir, he would bring home a grinding barrow, which you see in every street in London, and think that he had furnished a wonderful improvement."'
'Greek, Sir, (said he,) is like lace; every man gets as much of it as he can.'
'Johnson one day gave high praise to Dr. Bentley's verses in Dodsley's Collection, which he recited with his usual energy. Dr. Adam Smith, who was present, observed in his decisive professorial manner, "Very well—Very well." Johnson however added, "Yes, they ARE very well, Sir; but you may observe in what manner they are well. They are the forcible verses of a man of a strong mind, but not accustomed to write verse; for there is some uncouthness in the expression."'
'Drinking tea one day at Garrick's with Mr. Langton, he was questioned if he was not somewhat of a heretick as to Shakspeare; said Garrick, "I doubt he is a little of an infidel."—"Sir, (said Johnson,) I will stand by the lines I have written on Shakspeare in my Prologue at the opening of your Theatre." Mr. Langton suggested, that in the line
"And panting Time toil'd after him in vain,"
Johnson might have had in his eye the passage in The Tempest, where Prospero says of Miranda,
"——-She will outstrip all praise,
And make it halt behind her."
Johnson said nothing. Garrick then ventured to observe, "I do not think that the happiest line in the praise of Shakspeare." Johnson exclaimed (smiling,) "Prosaical rogues! next time I write, I'll make both time and space pant."'
'It is well known that there was formerly a rude custom for those who were sailing upon the Thames, to accost each other as they passed, in the most abusive language they could invent, generally, however, with as much satirical humour as they were capable of producing. Addison gives a specimen of this ribaldry, in Number 383 of The Spectator, when Sir Roger de Coverly and he are going to Spring-garden. Johnson was once eminently successful in this species of contest; a fellow having attacked him with some coarse raillery, Johnson answered him thus, "Sir, your wife, under pretence of keeping a bawdy-house, is a receiver of stolen goods." One evening when he and Mr. Burke and Mr. Langton were in company together, and the admirable scolding of Timon of Athens was mentioned, this instance of Johnson's was quoted, and thought to have at least equal excellence.'