'Whoever, then, would be thought capable of pleasure in reading the works of our incomparable Milton, and not so destitute of gratitude as to refuse to lay out a trifle in rational and elegant entertainment, for the benefit of his living remains, for the exercise of their own virtue, the increase of their reputation, and the pleasing consciousness of doing good, should appear at Drury-lane theatre to-morrow, April 5, when Comus will be performed for the benefit of Mrs. Elizabeth Foster, grand-daughter to the author, and the only surviving branch of his family.
'N.B. There will be a new prologue on the occasion, written by the author of _Irene[674], and spoken by Mr. Garrick; and, by particular desire, there will be added to the Masque a dramatick satire, called Lethe, in which Mr. Garrick will perform.'
[Page 229: Douglas's MILTON NO PLAGIARY. Ætat 42.]
1751: ÆTAT. 42.—In 1751[675] we are to consider him as carrying on both his Dictionary and Rambler. But he also wrote The Life of Cheynel[676],[*] in the miscellany called The Student; and the Reverend Dr. Douglas having, with uncommon acuteness, clearly detected a gross forgery and imposition upon the publick by William Lauder, a Scotch schoolmaster, who had, with equal impudence and ingenuity, represented Milton as a plagiary from certain modern Latin poets, Johnson, who had been so far imposed upon as to furnish a Preface and Postscript to his work, now dictated a letter for Lauder, addressed to Dr. Douglas, acknowledging his fraud in terms of suitable contrition.[677]
[Page 230: Johnson tricked by Lander. A.D. 1751.]
This extraordinary attempt of Lauder was no sudden effort. He had brooded over it for many years: and to this hour it is uncertain what his principal motive was, unless it were a vain notion of his superiority, in being able, by whatever means, to deceive mankind. To effect this, he produced certain passages from Grotius, Masenius, and others, which had a faint resemblance to some parts of the Paradise Lost. In these he interpolated some fragments of Hog's Latin translation of that poem, alledging that the mass thus fabricated was the archetype from which Milton copied.[678] These fabrications he published from time to time in the Gentleman s Magazine; and, exulting in his fancied success, he in 1750 ventured to collect them into a pamphlet, entitled An Essay on Milton's Use and Imitation of the Moderns in his Paradise Lost. To this pamphlet Johnson wrote a Preface[679], in full persuasion of Lauder's honesty, and a Postscript recommending, in the most persuasive terms[680], a subscription for the relief of a grand-daughter of Milton, of whom he thus speaks:
'It is yet in the power of a great people to reward the poet whose name they boast, and from their alliance to whose genius, they claim some kind of superiority to every other nation of the earth; that poet, whose works may possibly be read when every other monument of British greatness shall be obliterated; to reward him, not with pictures or with medals, which, if he sees, he sees with contempt, but with tokens of gratitude, which he, perhaps, may even now consider as not unworthy the regard of an immortal spirit.'
[Page 231: Johnson's admiration of Milton. Ætat 42.]
Surely this is inconsistent with 'enmity towards Milton,' which Sir John
Hawkins[681] imputes to Johnson upon this occasion, adding,
'I could all along observe that Johnson seemed to approve not only of the design, but of the argument; and seemed to exult in a persuasion, that the reputation of Milton was likely to suffer by this discovery. That he was not privy to the imposture, I am well persuaded; but that he wished well to the argument, may be inferred from the Preface, which indubitably was written by Johnson.'