Is it possible for any man of clear judgement to suppose that Johnson, who so nobly praised the poetical excellence of Milton in a Postscript to this very 'discovery,' as he then supposed it, could, at the same time, exult in a persuasion that the great poet's reputation was likely to suffer by it? This is an inconsistency of which Johnson was incapable; nor can any thing more be fairly inferred from the Preface, than that Johnson, who was alike distinguished for ardent curiosity and love of truth, was pleased with an investigation by which both were gratified. That he was actuated by these motives, and certainly by no unworthy desire to depreciate our great epick poet, is evident from his own words; for, after mentioning the general zeal of men of genius and literature 'to advance the honour, and distinguish the beauties of Paradise Lost', he says,

'Among the inquiries to which this ardour of criticism has naturally given occasion, none is more obscure in itself, or more worthy of rational curiosity, than a retrospect[682] of the progress of this mighty genius in the construction of his work; a view of the fabrick gradually rising, perhaps, from small beginnings, till its foundation rests in the centre, and its turrets sparkle in the skies; to trace back the structure through all its varieties, to the simplicity of its first plan; to find what was first projected, whence the scheme was taken, how it was improved, by what assistance it was executed, and from what stores the materials were collected; whether its founder dug them from the quarries of Nature, or demolished other buildings to embellish his own.'

Is this the language of one who wished to blast the laurels of
Milton[683]?

[Page 232: Mrs. Anna Williams. A.D. 1751.]

Though Johnson's circumstances were at this time far from being easy, his humane and charitable disposition was constantly exerting itself. Mrs. Anna Williams, daughter of a very ingenious Welsh physician, and a woman of more than ordinary talents and literature, having come to London in hopes of being cured of a cataract in both her eyes, which afterwards ended in total blindness, was kindly received as a constant visitor at his house while Mrs. Johnson lived; and after her death, having come under his roof in order to have an operation upon her eyes performed with more comfort to her than in lodgings, she had an apartment from him during the rest of her life, at all times when he had a house[684].

[Page 233: Johnson's pleasure in her company. Ætat 43.]

[Page 234: Death of Johnson's wife. A.D. 1752.]

1752: ÆTAT. 43.—In 1752 he was almost entirely occupied with his Dictionary. The last paper of his Rambler was published March 2[685], this year; after which, there was a cessation for some time of any exertion of his talents as an essayist. But, in the same year, Dr. Hawkesworth, who was his warm admirer, and a studious imitator of his style[686], and then lived in great intimacy with him, began a periodical paper, entitled The Adventurer, in connection with other gentlemen, one of whom was Johnson's much-loved friend, Dr. Bathurst; and, without doubt, they received many valuable hints from his conversation, most of his friends having been so assisted in the course of their works.

[Page 235: Communications by dreams. Ætat 43.]

That there should be a suspension of his literary labours during a part of the year 1752, will not seem strange, when it is considered that soon after closing his Rambler, he suffered a loss which, there can be no doubt, affected him with the deepest distress[687]. For on the 17th of March, O.S., his wife died. Why Sir John Hawkins should unwarrantably take upon him even to suppose that Johnson's fondness for her was dissembled (meaning simulated or assumed,) and to assert, that if it was not the case, 'it was a lesson he had learned by rote[688],' I cannot conceive; unless it proceeded from a want of similar feelings in his own breast. To argue from her being much older than Johnson, or any other circumstances, that he could not really love her, is absurd; for love is not a subject of reasoning, but of feeling, and therefore there are no common principles upon which one can persuade another concerning it. Every man feels for himself, and knows how he is affected by particular qualities in the person he admires, the impressions of which are too minute and delicate to be substantiated in language.