How Smith found his way into the street again, he could never tell, but he went back to his work a sadder and a wiser man, musing upon the trickiness of mankind in general, and of women in particular.

XIX. STREET MUSICIANS.

It would be interesting to know the number of street musicians to be found in New York. Judging from outward appearances, it must be their most profitable field, for one cannot walk two blocks in any part of the city without hearing one or more musical instruments in full blast. A few are good and in perfect tone, but the majority emit only the most horrible discords.

Prominent among the street musicians are the organ grinders, who in former days monopolized the business. They are mostly Italians, though one sees among them Germans, Frenchmen, Swiss, and even Englishmen and Irishmen. Against these people there seems to be an especial, and a not very reasonable prejudice. A lady, eminent for her good deeds among the poor of the Five Points, once said, “There is no reason why an organ grinder should be regarded as an altogether discreditable member of the community; his vocation is better than that of begging, and he certainly works hard enough for the pennies thrown to him, lugging his big box around the city from morning until night.” To this good word for the organ grinder it may be added that he is generally an inoffensive person, who attends closely to his business during the day, and rarely ever falls into the hands of the police. Furthermore, however much grown people with musical tastes may be annoyed, the organ grinders furnish an immense amount of amusement and pleasure to the children; and in some of the more wretched sections provide all the music that the little ones ever hear.

Very few of them own their organs. There are several firms in the city who manufacture or import hand organs, and

from these the majority of the grinders rent their instruments. The rent varies from two to twenty dollars per month, the last sum being paid for the French flute organs, which are the best. The owners of the instruments generally manage to inspire the grinders with a profound terror of them, so that few instruments are carried off unlawfully, and, after all, the organ grinders are more unfortunate than dishonest.

Organ grinding in New York was once a very profitable business, and even now pays well in some instances. Some of the grinding fraternity have made money. One of these was Francisco Ferrari, who came to this city ten years ago. He invested the money he brought with him in a hand organ and a monkey, and in about five years made money enough to return to Italy and purchase a small farm. He was not content in his native land, however, and soon returned to New York with his family and resumed his old trade. He is said to be worth about twenty thousand dollars.

At present, in fair weather, a man with a good flute organ can generally make from two to five dollars a day. Those who have the best and sweetest toned instruments seek the better neighborhoods, where they are always sure of an audience of children whose parents pay well. Some of these musicians earn as much as ten and fifteen dollars in a single day. In bad weather, however, they are forced to be idle, as a good organ cannot be exposed to the weather at such times without being injured.

A monkey is a great advantage to the grinder, as the animal, if clever, is sure to draw out a host of pennies from the crowd which never fails to gather around it. The monkey is generally the property of the grinder. It is his pet, and it is interesting to see the amount of affection which exists between the two. If the grinder is a married man, or has a daughter or sister, she generally accompanies him in his rounds. Sometimes girls and women make regular business engagements of this kind with the grinders, and receive for their services in beating the tambourine, or soliciting money from the bystanders, a certain fixed proportion of the earnings of the day.