If the organ grinder be successful in his business, he has every opportunity for saving his money. Apart from the rent of his organ, his expenses are slight. Few, however, save very much, as but few are able to earn the large sums we have mentioned. The grinders pay from five to eight dollars per month for their rooms, and they and their families live principally upon macaroni. They use but a single room for all purposes, and, no matter how many are to be provided with sleeping accommodations, manage to get along in some way. As a general rule, they are better off here than they were in their own country, for poverty has been their lot in both. Their wants are simple, and they can live comfortably on an amazingly small sum. The better class of Italians keep their apartments as neat as possible. Children of a genial clime, they are fond of warmth, and the temperature of their rooms stands at a stage which would suffocate an American. They are very exclusive, and herd by themselves in a section of the Five Points. Baxter and Park and the adjoining streets are taken up to a great extent with Italians.
This is the life of the fortunate members of the class. There are many, however, who are not so lucky. These are the owners or renters of the majority of the street organs, the vile, discordant instruments which set all of one’s nerves a tingling. They earn comparatively little, and are not tolerated by the irate householders whose tastes they offend. The police treat them with but small consideration. The poor wretches are nearly always in want, and soon full into vagrancy, and some into vice and crime. Some of them are worthless vagabonds, and nearly all the Italians accused of crime in the city are included in their number. One of these men is to be seen on the Bowery at almost any time. He seats himself on the pavement, with his legs tucked under him, and turns the crank of an instrument which seems to be a doleful compromise between a music box and an accordion. In front of this machine is a tin box for pennies, and by the side of it is a card on which is printed an appeal to the charitable. At night a flickering tallow dip sheds a dismal glare around. The man’s head is tied up in a piece of white muslin, his eyes are closed, and his face and posture are
expressive of the most intense misery. He turns the crank slowly, and the organ groans and moans in the most ludicrously mournful manner. At one side of the queer instrument sits a woman with a babe at her breast, on the other side sits a little boy, and a second boy squats on the ground in front. Not a sound is uttered by any of the group, who are arranged with genuine skill. Their whole attitude is expressive of the most fearful misery. The groans of the organ cannot fail to attract attention, and there are few kind-hearted persons who can resist the sight. Their pennies and ten-cent stamps are showered into the tin box, which is never allowed to contain more than two or three pennies. The man is an Italian, and is said by the police to be a worthless vagabond. Yet he is one of the most successful musicians of his class in the city.
The arrangements of a street organ being entirely automatic, any one who can turn a crank can manage one of these instruments. Another class of street musicians are required to possess a certain amount of musical skill in order to be successful. These are the strolling harpers and violinists. Like the organ grinders, they are Italians. Very few of them earn much money, and the majority live in want and misery.
Some of these strollers are men, or half-grown youths, and are excellent performers. The best of them frequent Broadway, Wall and Broad streets, and the up-town neighborhoods. At night they haunt the localities of the hotels. They constitute one of the pleasantest features of the street, for their music is good and well worth listening to. They generally reap a harvest of pennies and fractional currency. They form the aristocratic portion of the street minstrel class, and are the envy of their less fortunate rivals.
The vast majority of the strolling harpers and violinists are children; generally boys below the age of sixteen. They are chiefly Italians, though a few Swiss, French and Germans are to be found among them. They are commonly to be found in the streets in pairs; but sometimes three work together, and again only one is to be found. There are several hundreds of these children on the streets. Dirty, wan, shrunken,
monkey-faced little creatures they are. Between them and other children lies a deep gulf, across which they gaze wistfully at the sports and joys that may not be theirs. All day long, and late into the night, they must ply their dreary trade.
Although natives of the land of song, they have little or no musical talent, as a class, and the majority of them are furnished with harps and violins from which not even Orpheus himself could bring harmony. Not a few of the little ones endeavor to make up in dancing what they lack in musical skill. They work energetically at their instruments, but they do no more than produce the vilest discord. At the best, their music is worthless, and their voices have a cracked, harsh, monotonous sound; but the sound of them is also very sad, and often brings a penny into the outstretched hand.
At all hours of the day, and until late at night you may hear their music along the street, and listen to their sad young voices going up to the ear that is always open to them. They are half clothed, half fed, and their filthiness is painful to behold. They sleep in fair weather under a door-step or in some passage way or cellar, or in a box or hogshead on the street, and in the winter huddle together in the cold and darkness of their sleeping places, for we cannot call them homes, and long for the morning to come. The cold weather is very hard upon them, they love the warm sunshine, and during the season of ice and snow are in a constant state of semi-torpor. You see them on the street, in their thin, ragged garments, so much overpowered by the cold that they can scarcely strike or utter a note. Sometimes a kind-hearted saloon-keeper will permit them to warm themselves at his stove for a moment or two. These are the bright periods in their dark lives, for as a general rule they are forced to remain on the street from early morning until late at night.
A recent writer, well informed on the subject, says: “It is a cruelty to encourage these children with a gift of money, for instead of such gifts inuring to their benefit, they are extracted for the support of cruel and selfish parents and taskmasters.” This is true, but the gift is a benefit to the child, nevertheless.