1470-1520.The fine arts especially felt the impulse given to mind before 1500[335]
1520-1600.Tendency of the "new manner" to exaggeration and artifice[338]
1520-1600.New classes of subjects leading to new errors[341]
” ”Art under the patronage of the della Rovere became prolific[345]
1476-1551.Girolamo della Genga of Urbino, painter, architect, and engineer[347]
””The decorations of the imperial palace[349]
1518-1558.Bartolomeo della Genga of Urbino, engineer[352]

[CHAPTER LIII]

1529-1566.Taddeo Zuccaro of S. Angelo in Vado, painter[355]
” ”He paints at Urbino, Rome, and Caprarola[356]
1543-1608.Federigo Zuccaro, painter[357]
His precocity and rapid execution[358]
Paints at Rome, Venice, and Florence[358]
Is compromised by his satirical picture of Calumny[360]
1574. Visits England and paints portraits[360]
Also Spain, where he was less successful[361]
1583. His ideas of religious art[364]
1593. Chosen first president of St. Luke's Academy at Rome[366]
His house there[366]
His writings[367]
The paintings of the brothers Zuccaro[367]
Their pupils and followers in the duchy[368]
The Barocci a family of artists[369]
1528-16.Federigo Baroccio of Urbino[370]
Is poisoned by jealous rivals[371]
His best works[372]
His manner[374]
His pupils[377]
1560-1644.Claudio Ridolfi[379]
Painters of Gubbio[380]

[CHAPTER LIV]

1474-1563.Michael Angelo's monument of Julius II.[381]
” ”His style and influence[386]
” ”His monuments of the Medici[388]
1477-1576. Titian patronised by the Dukes of Urbino[390]
His paintings for that court[391]
His Venus[395]
His letter to Duke Guidobaldo II.[397]
1544-1628.Palma Giovane[398]
-1560.Gianbattista Franco il Semolei[399]
Sculptures executed for Urbino[400]

[CHAPTER LV]

Cultivation of the mechanical arts in Italy[403]
Watchmaking at Urbino[403]
Origin of majolica or earthenware[405]
Influence of Luca della Robbia[406]
Majolica of Pesaro[407]
Finer qualities introduced there[410]
The drug-vases at Loreto[411]
Subjects for majolica painting[412]
Decline of the art[413]
Manufactory of it at Urbino[414]
And at Gubbio[414]
The forms and applications of majolica-ware[415]
Mottoes upon it[416]
Artists chiefly employed[419]
Was Raffaele among them?[422]
Collections of majolica[424]

[APPENDICES]

1572.April 20.Brief from Clement VII. to Duke Francesco Maria I.[427]
May 7.Letter from the Bishop of Moldula to the confederate leaders at the sack of Rome[429]
” 20.Letter written from Urbino detailing the sack[429]
” 24.Despatch to Charles V. detailing it[433]
July 9.Letter of Duke Francesco Maria I. justifying himself to the Signory of Venice[444]
1525-1527.Castiglione's negotiations at the Court of Madrid[448]
1571. Don John of Austria's armado at Lepanto[452]
1666. Indulgences belonging to a Corona[456]
1442. Monumental inscription to Count Guidantonio[458]
1444. To Duke Oddantonio[459]
1482. To Duke Federigo[459]
1508. To Duke Guidobaldo I.[459]
1538. To Duke Francesco Maria I.[460]
1574. To Duke Guidobaldo II.[460]
1602. To Duchess Vittoria[460]
1578. To Cardinal Giulio della Rovere[461]
1523. To Prince Federigo[461]
1531. To Duke Francesco Maria II.[461]
1632. To Princess Lavinia della Rovere[462]
Statistics of Urbino[463]
Revenues of the Duchy[464]
Its population[466]
Pietro Aretino's Sonnets on Titian's portraits of Duke Francesco Maria I. and the Duchess Leonora[470]
Petition to Guidobaldo II. from the majolica makers of Pesaro[472]
Letters from the Archbishop of Urbino to Cardinal Giulio della Rovere concerning a service of majolica[474]
List of pieces[475]
Collection of art made by the Dukes of Urbino[476]
Pelli's list[478]
Venturi's list[485]
The Pesaro list[488]