| 1470-1520. | The fine arts especially felt the impulse given to mind before 1500 | [335] | |
| 1520-1600. | Tendency of the "new manner" to exaggeration and artifice | [338] | |
| 1520-1600. | New classes of subjects leading to new errors | [341] | |
| ” ” | Art under the patronage of the della Rovere became prolific | [345] | |
| 1476-1551. | Girolamo della Genga of Urbino, painter, architect, and engineer | [347] | |
| ”” | The decorations of the imperial palace | [349] | |
| 1518-1558. | Bartolomeo della Genga of Urbino, engineer | [352] | |
[CHAPTER LIII]
| 1529-1566. | Taddeo Zuccaro of S. Angelo in Vado, painter | [355] | |
| ” ” | He paints at Urbino, Rome, and Caprarola | [356] | |
| 1543-1608. | Federigo Zuccaro, painter | [357] | |
| His precocity and rapid execution | [358] | ||
| Paints at Rome, Venice, and Florence | [358] | ||
| Is compromised by his satirical picture of Calumny | [360] | ||
| 1574. | Visits England and paints portraits | [360] | |
| Also Spain, where he was less successful | [361] | ||
| 1583. | His ideas of religious art | [364] | |
| 1593. | Chosen first president of St. Luke's Academy at Rome | [366] | |
| His house there | [366] | ||
| His writings | [367] | ||
| The paintings of the brothers Zuccaro | [367] | ||
| Their pupils and followers in the duchy | [368] | ||
| The Barocci a family of artists | [369] | ||
| 1528-16. | Federigo Baroccio of Urbino | [370] | |
| Is poisoned by jealous rivals | [371] | ||
| His best works | [372] | ||
| His manner | [374] | ||
| His pupils | [377] | ||
| 1560-1644. | Claudio Ridolfi | [379] | |
| Painters of Gubbio | [380] | ||
[CHAPTER LIV]
| 1474-1563. | Michael Angelo's monument of Julius II. | [381] | |
| ” ” | His style and influence | [386] | |
| ” ” | His monuments of the Medici | [388] | |
| 1477-1576. | Titian patronised by the Dukes of Urbino | [390] | |
| His paintings for that court | [391] | ||
| His Venus | [395] | ||
| His letter to Duke Guidobaldo II. | [397] | ||
| 1544-1628. | Palma Giovane | [398] | |
| -1560. | Gianbattista Franco il Semolei | [399] | |
| Sculptures executed for Urbino | [400] | ||
[CHAPTER LV]
| Cultivation of the mechanical arts in Italy | [403] | ||
| Watchmaking at Urbino | [403] | ||
| Origin of majolica or earthenware | [405] | ||
| Influence of Luca della Robbia | [406] | ||
| Majolica of Pesaro | [407] | ||
| Finer qualities introduced there | [410] | ||
| The drug-vases at Loreto | [411] | ||
| Subjects for majolica painting | [412] | ||
| Decline of the art | [413] | ||
| Manufactory of it at Urbino | [414] | ||
| And at Gubbio | [414] | ||
| The forms and applications of majolica-ware | [415] | ||
| Mottoes upon it | [416] | ||
| Artists chiefly employed | [419] | ||
| Was Raffaele among them? | [422] | ||
| Collections of majolica | [424] |
[APPENDICES]
| 1572. | April 20. | Brief from Clement VII. to Duke Francesco Maria I. | [427] |
| ” | May 7. | Letter from the Bishop of Moldula to the confederate leaders at the sack of Rome | [429] |
| ” | ” 20. | Letter written from Urbino detailing the sack | [429] |
| ” | ” 24. | Despatch to Charles V. detailing it | [433] |
| ” | July 9. | Letter of Duke Francesco Maria I. justifying himself to the Signory of Venice | [444] |
| 1525-1527. | Castiglione's negotiations at the Court of Madrid | [448] | |
| 1571. | Don John of Austria's armado at Lepanto | [452] | |
| 1666. | Indulgences belonging to a Corona | [456] | |
| 1442. | Monumental inscription to Count Guidantonio | [458] | |
| 1444. | To Duke Oddantonio | [459] | |
| 1482. | To Duke Federigo | [459] | |
| 1508. | To Duke Guidobaldo I. | [459] | |
| 1538. | To Duke Francesco Maria I. | [460] | |
| 1574. | To Duke Guidobaldo II. | [460] | |
| 1602. | To Duchess Vittoria | [460] | |
| 1578. | To Cardinal Giulio della Rovere | [461] | |
| 1523. | To Prince Federigo | [461] | |
| 1531. | To Duke Francesco Maria II. | [461] | |
| 1632. | To Princess Lavinia della Rovere | [462] | |
| Statistics of Urbino | [463] | ||
| Revenues of the Duchy | [464] | ||
| Its population | [466] | ||
| Pietro Aretino's Sonnets on Titian's portraits of Duke Francesco Maria I. and the Duchess Leonora | [470] | ||
| Petition to Guidobaldo II. from the majolica makers of Pesaro | [472] | ||
| Letters from the Archbishop of Urbino to Cardinal Giulio della Rovere concerning a service of majolica | [474] | ||
| List of pieces | [475] | ||
| Collection of art made by the Dukes of Urbino | [476] | ||
| Pelli's list | [478] | ||
| Venturi's list | [485] | ||
| The Pesaro list | [488] | ||