Comedy acted to deceive the ghost of a murdered kinsman.
Sometimes the worthy soul who thus for a valuable consideration consents to waive all his personal feelings, will even carry his self-abnegation so far as to be present and look on at the murder of his kinsman. But true to his principles he will see to it that the thing is done decently and humanely. When the struggle is nearly over and the man is down, writhing on the ground with the murderers busy about him, his loving kinsman will not suffer them to take an unfair advantage of their superior numbers to cut him up alive with their knives, to chop him with their axes, or to smash him with their clubs. He will only allow them to stab him with their spears, repeating of course the stabs again and again till the victim ceases to writhe and quiver, and lies there dead as a stone. Then begins the real time of peril for the virtuous kinsman who has been a spectator and director of the scene; for the ghost of the murdered man has now deserted its mangled body, and, still blinded with blood and smarting with pain, might easily and even excusably misunderstand the situation. It is essential, therefore, in order to prevent a painful misapprehension, that the kinsman should at once and emphatically disclaim any part or parcel in the murder. This he accordingly does in language which leaves no room for doubt or ambiguity. He falls into a passion: he rails at the murderers: he proclaims his horror at their deed. All the way home he refuses to be comforted. He upbraids the assassins, he utters the most frightful threats against them; he rushes at them to snatch their weapons from them and dash them in pieces. But they easily wrench the weapons from his unresisting hands. For the whole thing is only a piece of acting. His sole intention is that the ghost may see and hear it all, and being convinced of the innocence of his dear kinsman may not punish him with bad crops, wounds, sickness, and other misfortunes. Even when he has reached the village, he keeps up the comedy for a time, raging, fretting and fuming at the irreparable loss he has sustained by the death of his lamented relative.[458]
Pretence of avenging the ghost of a murdered sorcerer.
Similarly when a chief has among his subjects a particular sorcerer whom he fears but with whom he is professedly on terms of friendship, he will sometimes engage a man to murder him. No sooner, however, is the murder perpetrated than the chief who bespoke it hastens in seeming indignation with a band of followers to the murderer's village. The assassin, of course, has got a hint of what is coming, and he and his friends take care not to be at home when the chief arrives on his mission of vengeance. Balked by the absence of their victim the avengers of blood breathe out fire and slaughter, but content themselves in fact with smashing an old pot or two, knocking down a deserted hut, and perhaps felling a banana-tree or a betel-palm. Having thus given the ghost of the murdered man an unequivocal proof of the sincerity of their friendship, they return quietly home.[459]
The Kai afraid of ghosts.
The habits of Kai ghosts are to some extent just the contrary of those of living men. They sleep by day and go about their business by night, when they frighten people and play them all kinds of tricks. Usually they appear in the form of animals. As light has the effect of blinding or at least dazzling them, they avoid everything bright, and hence it is easy to scare them away by means of fire. That is why no native will go even a short way in the dark without a bamboo torch. If it is absolutely necessary to go out by night, which he is very loth to do, he will hum and haw loudly before quitting the house so as to give notice to any lurking ghost that he is coming with a light, which allows the ghost to scuttle out of his way in good time. The people of a village live in terror above all so long as a corpse remains unburied in it; after nightfall nobody would then venture out of sight of the houses. When a troop of people go by night to a neighbouring village with flaring torches in their hands, nobody is willing to walk last on the path; they all huddle together for safety in the middle, till one man braver than the rest consents to act as rearguard. The rustling of a bush in the evening twilight startles them with the dread of some ghastly apparition; the sight of a pig in the gloaming is converted by their fears into the vision of a horrible spectre. If a man stumbles, it is because a ghost has pushed him, and he fancies he perceives the frightful thing in a tree-stump or any chance object. No wonder a Kai man fears ghosts, since he believes that the mere touch of one of them may be fatal. People who fall down in fits or in faints are supposed to have been touched by ghosts; and on coming to themselves they will tell their friends with the most solemn assurance how they felt the death-cold hand of the ghost on their body, and how a shudder ran through their whole frame at contact with the uncanny being.[460]
Services rendered to the living by ghosts of the dead.
But it would be a mistake to imagine that the ghosts of the dead are a source of danger, annoyance, and discomfort, and nothing more. That is not so. They may and do render the Kai the most material services in everyday life, particularly by promoting the supply of food both vegetable and animal. I have said that these practical savages stand towards their departed kinsfolk on a strictly commercial footing; and I will now illustrate the benefits which the Kai hope to receive from the ghosts in return for all the respect and attention lavished on them. In the first place, then, so long as a ghost remains in the neighbourhood of the village, it is expected of him that he shall make the crops thrive and neither tread them down himself nor allow wild pigs to do so. The expectation is reasonable, yet the conduct of the ghost does not always answer to it. Occasionally, whether out of sheer perverseness or simple absence of mind, he will sit down in a field; and wherever he does so, he makes a hollow where the fruits will not grow. Indeed any fruit that he even touches with his foot in passing, shrivels up. Where these things have happened, the people offer boiled taro and a few crabs to the ghosts to induce them to keep clear of the crops and to repose their weary limbs elsewhere than in the tilled fields.[461]
Ghosts help Kai hunters to kill game.
But the most important service which the dead render to the living is the good luck which they vouchsafe to hunters. Hence in order to assure himself of the favour of the dead the hunter hangs his nets on a grave before he uses them. If a man was a good and successful hunter in his lifetime, his ghost will naturally be more than usually able to assist his brethren in the craft after his death. For that reason when such a man has just died, the people, to adopt a familiar proverb, hasten to make hay while the sun shines by hunting very frequently, in the confident expectation of receiving ghostly help from the deceased hunter. In the evening, when they return from the chase, they lay a small portion of their bag near his grave, scatter a powder which possesses the special virtue of attracting ghosts, and call out, "So-and-so, come and eat; here I set down food for you, it is a part of all we have." If after such an offering and invocation the night wind rustles the tops of the trees or shakes the thatch of leaves on the roofs, they know that the ghost is in the village. The twinkle of a glow-worm near his grave is the glitter of his eye. In the morning, too, before they sally forth to the woods, one of the next of kin to the dead huntsman will go betimes to his grave, stamp on it to waken the sleeper below, and call out, "So-and-so, come! we are now about to go out hunting. Help us to a good bag!" If they have luck, they praise the deceased as a good spirit and in the evening supply his wants again with food, tobacco, and betel. The sacrifice, as usually happens in such cases, does not call for any great exercise of self-denial; since the spirit consumes only the spiritual essence of the good things, while he leaves their material substance to be enjoyed by the living.[462]