[66] W. Ellis, op. cit. i. 324, 325.
[67] Gerland takes the former view, Moerenhout the latter. See Waitz-Gerland, Anthropologie, vi. 368 sq.; J. A. Moerenhout, op. cit. i. 484. The only evidence adduced by Moerenhout for his interpretation of Oro as a sun-god is a statement that in the Marquesas Islands the Areois suspended their performances and went into retreat from April or May till the vernal equinox (which in the southern hemisphere falls in September), and that during their retreat they assumed the style of mourners and bewailed the absence or death of their god, whom they called Mahoui. This Mahoui is accordingly taken by Moerenhout to be the sun and equated to Oro, the god of the Areois in the Society Islands. But Mahoui seems to be no other than the well-known Polynesian hero Maui, who can hardly have been the sun (see below, [p. 286 note5]); and Moerenhout's statement as to the annual period of mourning observed by the Areois in the Marquesas Islands is not, so far as I know, confirmed by any other writer, and must, therefore, be regarded as open to doubt. His statement and his interpretation of Oro and Mahoui were accepted by Dr. Rivers, who made them the basis of his far-reaching theory of a secret worship of the sun introduced into the Pacific by immigrants from a far northern country, who also built the megalithic monuments of Polynesia and Micronesia. See W. H. R. Rivers, "Sun-cult and Megaliths in Polynesia," American Anthropologist, xvii. July-September 1915, pp. 431 sqq. In proof of the supposed connexion between these megalithic monuments and a worship of the sun, Dr. Rivers says (p. 440) that the Areois "held their celebrations in an enclosure called marae or marai, at one end of which was situated a pyramidical structure with steps leading to a platform on which were placed the images of the gods during the religious celebrations of the people." But if by "their celebrations" Dr. Rivers means the ordinary dramatic, musical, and athletic performances of the Areois, he seems to be in error; for it appears to be certain that these exhibitions were regularly given, not at the maraes, but in or before large houses built or specially set apart for the purpose. See above, pp. [259 sq.]
[68] J. Rendel Harris, The Dioscuri in the Christian Legends (London, 1903), pp. 1 sqq. id., The Cult of the Heavenly Twins (Cambridge, 1906), pp. 58 sqq.; id., Boanerges (Cambridge, 1913), pp. 291 sqq.
[69] W. Ellis, op. cit. i. 230, 232. Ellis does not admit that Orotetefa and Urutetefa were, strictly speaking, the sons of Oro. He writes: "According to the traditions of the people, Taaroa created, and, by means of Hina, brought forth when full grown Orotetefa and Urutetefa. They were not his sons; oriori is the term employed by the people, which seems to mean create" (op. cit. i. 230). With regard to Hina (Heena), interpreted as the moon, or the goddess of the moon, see J. R. Forster, Observations, p. 549; G. Forster, Voyage, ii. 152; J. A. Moerenhout, op. cit.. i. 428 sq., 458, 472; E. Tregear, Maori-Polynesian Comparative Dictionary, p. 69. s.v. "Hina," "Hina is by far the best known of all Polynesian legendary personages. In the more easterly islands she is a goddess, and is almost certainly the Moon-goddess." Similarly Mr. E. E. V. Collocot observes that Hina "is generally regarded as the Moon-goddess, and this view was spontaneously put forward by a Tongan; in conversation with me" (Journal of the Polynesian Society, xxx. (1921) p. 238).
[70] Abundant evidence of the custom is produced by Dr. Rendel Harris in his learned works, The Cult of the Heavenly Twins and Boanerges.
[71] The Golden Bough, Part I., The Magic Art and the Evolution of Kings, i. 262 sqq.
[72] H. A. Junod, Les Ba-ronga (Neuchâtel, 1898), p. 412; id., Life of a South African Tribe (Neuchâtel, 1912-1913), ii. 394.
[73] H. A. Junod, Life of a South African Tribe, ii. 398.
[74] H. A. Junod, Life of a South African Tribe, ii. 399.
[75] H. A. Junod, Les Ba-ronga, pp. 417 sq.; id., Life of a South African Tribe, ii. 296.