But the exchange of costume between men and women has probably been practised also from other motives, for example, from a wish to avert the Evil Eye. This motive seems to explain the interchange of male and female costume between bride and bridegroom at marriage.

But the religious or superstitious interchange of dress between men and women is an obscure and complex problem, and it is unlikely that any single solution would apply to all the cases. Probably the custom has been practised from many different motives. For example, the practice of dressing boys as girls has certainly been sometimes adopted to avert the Evil Eye;[692] and it is possible that the custom of changing garments at marriage, the bridegroom disguising himself as a woman, or the bride disguising herself as a man, may have been resorted to for the same purpose. Thus in Cos, where the priest of Hercules wore female attire, the bridegroom was in like manner dressed as a woman when he received his bride.[693] Spartan brides had their hair shaved, and were clad in men's clothes and booted on their wedding night.[694] Argive brides wore false beards when they slept with their husbands for the first time.[695] In Southern Celebes a bridegroom at a certain point of the long and elaborate marriage ceremonies puts on the garments which his bride has just put off.[696] Among the Jews of Egypt in the Middle Ages the bride led the wedding dance with a helmet on her head and a sword in her hand, while the bridegroom adorned himself as a woman and put on female attire.[697] At a Brahman marriage in Southern India “the bride is dressed up as a boy, and another girl is dressed up to represent the bride. They are taken in procession through the street, and, on returning, the pseudo-bridegroom is made to speak to the real bridegroom in somewhat insolent tones, and some mock play is indulged in. The real bridegroom is addressed as if he was the syce (groom) or gumasta (clerk) of the pseudo-bridegroom, and is sometimes treated as a thief, and judgment passed on him by the latter.”[698] Among the Bharias [pg 261] of the Central Provinces of India “the bridegroom puts on women's ornaments and carries with him an iron nut-cutter or dagger to keep off evil spirits.”[699] Similarly among the Khangars, a low Hindustani caste of the same region, “the bridegroom is dressed in a yellow gown and overcloth, with trousers of red chintz, red shoes, and a marriage crown of date-palm leaves. He has the silver ornaments usually worn by women on his neck, as the khang-wāri or silver ring and the hamel or necklace of rupees. In order to avert the evil eye he carries a dagger or nut-cracker, and a smudge of lampblack is made on his forehead to disfigure him and thus avert the evil eye, which, it is thought, would otherwise be too probably attracted by his exquisitely beautiful appearance in his wedding garments.”[700] These examples render it highly probable that, like the dagger or nut-cracker which he holds in his hand, the woman's ornaments which he wears are intended to protect the bridegroom against demons or the evil eye at this critical moment of his life, the protection apparently consisting in a disguise which enables him to elude the unwelcome attentions of malignant beings.[701]

The same explanation may account for the interchange of male and female costume between other persons at marriage.

A similar explanation probably accounts for the similar exchange of costume between other persons than the bride and bridegroom at marriage. For example, after a Bharia wedding, “the girl's mother gets the dress of the boy's father and puts it on, together with a false beard and moustaches, and dances holding a wooden ladle in one hand and a packet of ashes in the other. Every time she approaches the bridegroom's father on her rounds she spills some of the ashes over him and occasionally gives him a crack on the head with her ladle, these actions being accompanied by bursts of laughter from the party and frenzied playing by the musicians. When the party reach the bridegroom's house on their return, his mother and the other women come out, and burn a little mustard and human hair in a lamp, the unpleasant smell emitted by these articles being considered potent to drive away evil spirits.”[702] Again, after a Khangar wedding the father of the bridegroom, dressed in women's clothes, dances with the mother of the bride, while the two throw turmeric mixed with water on each other.[703] Similarly after a [pg 262] wedding of the Bharbhunjas, another Hindustani caste of the Central Provinces, the bridegroom's father dances before the family in women's clothes which have been supplied by the bride's father.[704] Such disguises and dances may be intended either to protect the disguised dancer himself against the evil eye or perhaps rather to guard the principal personages of the ceremony, the bride and bridegroom, by diverting the attention of demons from them to the guiser.[705] However, when at marriage the bride alone assumes the costume and appearance of the other sex, the motive for the disguise may perhaps be a notion that on the principle of homoeopathic magic she thereby ensures the birth of a male heir. Similarly in Sweden there is a popular superstition that “on the night preceding her nuptials the bride should have a baby-boy to sleep with her, in which case her first-born will be a son”;[706] and among the Kabyles, when a bride dismounts from her mule at her husband's house, a young lad leaps into the saddle before she touches the ground, in order that her first child may be a boy.[707]

Women's dress assumed by men for the purpose of deceiving demons and ghosts.

Be that as it may, there is no doubt that the assumption of woman's dress is sometimes intended to disguise a man for the purpose of deceiving a demon. Thus among the Boloki or Bangala on the Upper Congo a man was long afflicted with an internal malady. When all other remedies had failed, a witch-doctor informed the sufferer that the cause of his trouble was an evil spirit, and that the best thing he could do was to go far away where the devil could not get at him, and to remain there till he had recovered his health. The patient followed the prescription. At dead of night he left his house, taking only two of his wives with him and telling no one of his destination, lest the demon should hear it and follow him. So he went far away from his town, donned a woman's dress, and speaking in a woman's voice he pretended to be other than he was, in order that the devil should not be able to find him at his new address. Strange to say, these sage measures failed to [pg 263] effect a cure, and wearying of exile he at last returned home, where he continued to dress and speak as a woman.[708] Again, the Kuki-Lushai of Assam believe that if a man kills an enemy or a wild beast, the ghost of the dead man or animal will haunt him and drive him mad. The only way of averting this catastrophe is to dress up as a woman and pretend to be one. For example, a man who had shot a tiger and was in fear of being haunted by the animal's ghost, dressed himself up in a woman's petticoat and cloth, wore ivory earrings, and wound a mottled cloth round his head like a turban. Then smoking a woman's pipe, carrying a little basket, and spinning a cotton spindle, he paraded the village followed by a crowd roaring and shrieking with laughter, while he preserved the gravity of a judge, for a single smile would have been fatal. To guard against the possibility of unseasonable mirth, he carried a porcupine in his arms, and if ever, tickled beyond the pitch of endurance, he burst into a guffaw, the crowd said, “It was the porcupine that laughed.” All this was done to mortify the pride of the tiger's ghost by leading him to believe that he had been shot by a woman.[709]

Exchange of costume between the sexes at circumcision.

The same dread of attracting the attention of dangerous spirits at critical times perhaps explains the custom observed by some East African tribes of wearing the costume of the opposite sex at circumcision. Thus, when Masai boys have been circumcised they dress as women, wearing earrings in their ears and long garments that reach to the ground. They also whiten their swarthy faces with chalk. This costume they retain till their wounds are healed, whereupon they are shaved and assume the skins and ornaments of warriors.[710] Among the Nandi, a tribe of British East Africa, before boys are circumcised they receive a visit from young girls, who give them some of their own garments and ornaments. These the boys put on and wear till the operation of circumcision is over, when they exchange the girls' clothes for the garments of women, which, together with necklaces, are provided for them by their mothers; and these women's garments the newly circumcised lads must continue to wear for months afterwards. Girls are also circumcised among the Nandi, and before they submit to the operation they attire themselves in men's garments and carry clubs in their hands.[711]

Other cases of the interchange of male and female costume.

If such interchange of costume between men and women is [pg 264] intended to disguise the wearers against demons, we may compare the practice of the Lycian men, who regularly wore women's dress in mourning;[712] for this might be intended to conceal them from the ghost, just as perhaps for a similar reason some peoples of antiquity used to descend into pits and remain there for several days, shunning the light of the sun, whenever a death had taken place in the family.[713] A similar desire to deceive spirits may perhaps explain a device to which the Loeboes, a primitive tribe of Sumatra, resort when they wish to obtain male or female offspring. If parents have several sons and desire that the next child shall be a girl, they dress the boys as girls, cut their hair after the girlish fashion, and hang necklaces round their necks. On the contrary, when they have many daughters and wish to have a son, they dress the girls up as boys.[714]