Architecture the dominant art of the Middle Ages.
It is in the great cathedrals and other churches scattered throughout England, France, Spain, Holland, Belgium, and Germany, that we find the noblest and most lasting achievements of mediæval art, which all the resources of modern skill have been unable to equal. Everybody belonged to the Church, but the Church, too, belonged to each individual. The building and beautifying of a new church was a matter of interest to the whole community,—to men of every rank. It gratified at once their religious sentiments, their local pride, and their artistic cravings. All the arts and crafts ministered to the construction and adornment of the new edifice, and, in addition to its religious significance, it took the place of our modern art museum.
Durham Cathedral (Romanesque)
The Romanesque style.
Up to the beginning of the thirteenth century the churches were built in the Romanesque style.[170] They were, generally speaking, in the form of a cross, with a main aisle, and two side aisles which were both narrower and lower than the main aisle. The aisles were divided from each other by massive round pillars which supported the round vaulting of the roof and were connected by round arches. The round-arched windows were usually small for the size of the building, so that the interior was not very light. The whole effect was one of massive simplicity. There was, however, especially in the later churches of this style, a profusion of carved ornament, usually in geometric designs.
Introduction of the Gothic style.
The pointed arch.
Flying buttresses.
The pointed form of arch was used occasionally in windows during the eleventh and twelfth centuries. But about the beginning of the thirteenth century[171] it began to be employed much more extensively, and in an incredibly short time practically superseded the round arch and became the characteristic feature of a new style, called Gothic. The adoption of the pointed arch had very important results. It enabled the builder to make arches of the same height but various widths, and of varying height and the same width. A round arch of a given span can be only half as high as it is wide, but the pointed arch may have a great diversity of proportions. The development of the Gothic style was greatly forwarded by the invention of the "flying buttress." By means of this graceful outside prop it became possible to lighten the masonry of the hitherto massive walls and pierce them with great windows which let a flood of light into the hitherto dark churches.[172]