CHAPTER IX.
"COUNT DI LUNA" INTRODUCED TO "LEONORA"—A PATTI CONTRACT—THE STING OF THE ENGAGEMENT—A TENOR'S SUITE—A PRESENTATION OF JEWELLERY—"MY DON GIOVANNI"—A PROFITABLE TOUR.
THE public are under the impression that the closest intimacies are contracted between vocalists in consequence of their appearing constantly together in the same works. Under the new system, by which the prima donna stipulates that she shall not be called upon to appear at any rehearsal, this possible source of excessive friendship ceases to exist. It now frequently happens that the prima donna is not even personally acquainted with the singers who are to take part with her in the same opera; and on one occasion, when Il Trovatore was being performed, I remember the baritone soliciting the honour of an introduction to Mdme. Patti at the very moment when he was singing in the trio of the first act. The "Manrico" of the evening was exceedingly polite, and managed without scandalizing the audience to effect the introduction by singing it as if it were a portion of his rôle.
To show that the stipulation I have just spoken of is made in the most formal manner, and to give a general idea of the conditions a manager is expected to accept from a leading prima donna, I here subjoin a copy of the contract between Mdme. Patti and myself for my season at Covent Garden in 1885:—
"THE ENGAGEMENT contracted in London Sixth day of June 1885 BETWEEN JAMES HENRY MAPLESON Operatic Manager, henceforward described as Mr. Mapleson and ADELINA PATTI, Artiste Lyrique, henceforward described as Madame Patti.
"Article 1.—Mr. Mapleson engages Madame Patti to sing and Madame Patti engages to sing at a series of Eight Operatic Representations in Italian or high class Concerts to be given under his direction from Sixteenth June and ending the Sixteenth July One thousand eight hundred and eighty five in London in such manner that two of such Representations or Concerts (as the case may be) may be given in each week of such period and so that an interval of at least two clear days may elapse between each Representation or Concert unless the contracting parties otherwise agree.
"Article 2.—Mr. Mapleson engages to pay to Madame Patti or her representative for such series the sum of Four thousand pounds and for all additional Representations or Concerts the sum of Five hundred pounds each; such payment to be made in advance in sums of Five hundred pounds each before 2 o'Clock in the afternoon of the day on which a Representation or Concert is to be given.
"Article 3.—The repertoire to comprise the Operas of Martha, Traviata, Trovatore, Lucia di Lammermoor, Il Barbiere di Seviglia, Crispino, Rigoletto, Linda, Carmen and Don Giovanni; and thereof 'Il Barbiere,' 'La Traviata,' 'Martha' and 'Zerlina' in Don Giovanni shall be assigned exclusively to Madame Patti during the entire Operatic Season. The Airs to be sung at the Concerts (if any) are to be selected by Madame Patti.
"Article 4.—The selection from such Repertoire of the Opera to be given at her re-entrée shall be selected and be fixed exclusively by Madame Patti; but with that exception the choice therefrom of the Operas to be given at the several representations shall be Tuesdays and Saturdays, and the days of the week on which Concerts (if any) shall be given shall be fixed by the mutual agreement of the contracting parties; and Mr. Mapleson engages to adhere thereto except in case of sudden, necessary change through the illness of other principal Artistes in the cast of the chosen Opera.
"Article 5.—Madame Patti shall be free to attend Rehearsals, but shall not be required or bound to attend at any.