Success did not brighten the glance of Racah. He became gloomier as he grew older, and a prominent alienist in Paris warned him to travel or else—and he pointed to his forehead, shrugging his very Gallic shoulders. Racah immediately went to the far East....

After a year's wandering up and down strange and curious countries, he came to the chief city of a barbarous province ruled by a man famous for his ferocities and charming culture. A careful education in Paris, grafted upon a nature cruel to the core, produced the most delicately depraved disposition imaginable. This Rajah was given to the paradoxical. He adored Chopin and loved to roast alive tiny birds on dainty golden grills. He would weep after reading de Musset, and a moment later watch with infinite satisfaction the spectacle of two wretched women dancing on heated copper plates. When he heard of Racah's presence in his kingdom he summoned the pianist.

Racah obeyed the Rajah's order. To his surprise he found him a man of pleasing mien and address. He was dressed in clothes of English cut, and possessed a concert piano. Racah bowed to him on entering the great Hall of the Statues.

"Do you play Chopin?"

"No," was the curt reply. The potentate glanced at the pianist, and then dropped his heavy eyelids. Racah had the air of a man bored to death.

"I entreat you"—the Rajah had winning accents—"play me something of Chopin. I adore Chopin."

"Your Highness, I abominate Chopin; I abominate music. I have taken a vow never to play again anything of that vile Polish composer. But I may play for you instead a Brahms sonata. The great one in F minor—"

"Stop a moment! You distinctly refuse to play me a Chopin valse or mazurka?"

"O Villainy!" Racah was thoroughly aroused; "I swear by the beard of your silly prophet that I will not play Chopin, nor touch your piano!"

The Rajah listened with a sweet forbearing smile. Then he clapped his hands twice—thrice. A slave entered. To him the Rajah spoke quietly, with an amused expression, and the man bowed his head. Touching the pianist on the shoulder he said: