In every department of biological science, in anatomy and physiology, in pathology, in botany, in zoology, in palaeontology, in ethnology and linguistics, in anthropology, noteworthy advances were made. Magnificent applications of the knowledge acquired were made for the benefit of man and animals, new plants for medicine were sought in distant countries and a great new development of medicine took place. None of the anatomists and physiologists of the time failed to use their knowledge for the increase of information with regard to disease and its treatment. Vesalius besides being a great anatomist was almost as great a pathologist and one of the epoch-making diagnosticians of medical history. He was the first since the Greeks to describe an aneurism, that is the pathological dilatation of an artery through disease or accident, and the first in the history of medicine to demonstrate the presence of such a condition on the living subject. Paracelsus, [{xxxviii}] Ambroise Paré, Linacre, John Caius and a whole host of great teachers in Italy are names to conjure with in the history of medicine and of surgery. There is probably no period in the world's history that has so many names famous in medicine that the world will never willingly let die.
The supremely great accomplishments of this time however, the true, good and great deeds of the century, were what it did for men. This is the period when there was more organization for social help and uplift than at any other period that we know. Every social need was responded to by the guilds. There were old-age pensions, disability wages, insurance against fire, accident at sea, burglary, highway robbery, the destruction of crops, the death of animals and all the other developments of mutual protection against the unexpected which we have been inclined to think were developments of our time. There were 30,000 guilds in England, it is said, when they were suppressed by Henry VIII, and the money in the treasuries, many millions of pounds, confiscated on the plea that they were religious organizations. They maintained grammar schools, had burses at the universities, arranged for technical training and apprenticeships, cared for orphans, provided entertainments for the people of the town, brought the membership together in friendly meetings and banquets several times each year, held athletic contests, encouraged social life and innocent amusements in every way and represented an ever vital nucleus of fraternal interest among men. Our chapter on this shows too how seriously the moneyed men of the time took their duty of philanthropic care for their townsmen by various institutions.
A period that did so much for social needs could scarcely be expected to have neglected its hospitals and as a matter of fact some of the most beautiful hospitals in the world were built in this period, and everywhere that a hospital was built it was worthy of its purpose. The hospitals of a later time, especially the eighteenth and nineteenth centuries, were little better than jails and were eminently unsuitable. At this time citizens, instead of thinking that anything was good enough for the ailing poor, felt that the honor of the city was concerned, and the hospital, being a municipal building, was [{xxxix}] constructed with as much care for its beauty externally and its utility internally as the famous town halls or churches of the time. We know how well patients were cared for, since we have abundant evidence of the clinical teaching of medicine at the bedside. Whenever hospitals are well built and the attendant physician takes students with him on his rounds, the best possible treatment of patients is assured. They cared finely for the insane also and for the weak-minded. The awful abuses in this regard that came in the eighteenth century, and from which our own happier though far from satisfactory conditions represent a reaction, were a lamentable, almost incomprehensible degeneration from the magnificent work of the earlier time.
The women of Columbus' Century are worthy in every way of a place beside the men of their time. Those who in recent years have talked of the nineteenth century as the first period in the world's history when women secured an opportunity for the higher education forget amazingly many phases of feminine education of the long ago. The University of Salerno had its department of women's diseases in the charge of women professors in the twelfth century. There were feminine professors at the University of Bologna in the thirteenth century, and as a matter of fact in no century since the twelfth has Italy been without distinguished women professors at one or more of the Italian universities.
Above all those who talk of feminine education as a recent evolution must be strangely forgetful of the women of the Renaissance. In Italy, in France, in Spain, in Germany, in England, there were long series of distinguished women, some noted for their scholarship, some for their artistic taste, some for their literary power, all of them for a fine influence on the men of the time and an inspiration to what was best. Much of the wonderful social history of the time is due to them, but there is no department of intellectual or moral uplift in which their names are not prominent. Vittoria Colonna, the D'Estes, the women of the House of Medici, the Gonzagas in Italy, Queen Anne of Bretagne and Marguerite of Navarre in France, Queen Isabella of Castile, Queen Catherine of England, Margaret More, Mary Queen of Scots, Margaret of Bourgogne, [{xl}] Lady Jane Grey, Queen Elizabeth--when was there ever such a galaxy of learned women alive during the same hundred years? Besides these known in secular literature there was St. Angela of Merici, the great founder of the Ursulines; St. Catherine of Genoa, the wonderful organizer of charity; St. Teresa, probably the greatest intellectual woman who ever lived, and other women distinguished for supreme qualities of mind and heart almost too numerous to mention.
The hardest chapters of the book to compress have been those on Feminine Education and The Women of the Century. What they did to make their homes beautiful and their home surroundings charming, how they inspired the artists of the time, what they did to bring out the best that was in them, this indeed makes a difficult story to tell in a few pages. Their contributions to the intellectual treasure of mankind were not very large and only two or three of them have a name that will endure in literature and none of them in art, but what they accomplished for the ethical progress of the race at a particularly dangerous time when the study of pagan authors and of Grecian art had relaxed the fibre of Christian morality, represents a triumph of feminine accomplishment of which too much cannot be said in praise.
THE BOOK OF THE WORDS of the century forms the least important chapter of the accomplishment of the time, and as compared with the arts and the deeds its literature seems almost disappointing, yet it must not be forgotten that this was the Age of Leo X, of which Saintsbury in "The Earlier Renaissance," in his series of Periods of European Literature, says, "Of few epochs is it more difficult to speak in brief space than of this century." He adds that "the age of Leo X was for no small length of time and under many changes of prevailing literary taste extolled as one of the greatest ages of literature, as perhaps the greatest age of modern literature." It fell from this high estate about a century ago, but the reaction against it was, as always is the case with reactions, exaggerated, and we are gradually growing in the appreciation of the greatness of the literature of the time again. We now know that there are very few periods that have contributed so much that is really of enduring value to world literature as this age of Leo X.
The Latin literature alone of this century would be enough to assure it a place as one of the wonderful productive periods in world letters. The "Imitation of Christ" was not written during the century, though its author seems to have put it into the ultimate form in which we now know it about the beginning of our period. It was during this time that it came to be recognized as a great source of consolation, a marvellous study of the human heart in time of trial and of triumph and the most influential book that had ever come from the hand of man. We have gathered together a small sheaf of the tributes that have been paid to it by some of the serious thinkers in all generations since, but it would be easy to fill a volume with words of highest commendation. In the Latin literature of this period also must be counted Sir Thomas More's "Utopia," which has been read in every generation that has taken its social problems seriously ever since, and never more so than in our own time. It deserves a place in world literature beside Plato's "Republic," and it is far ahead of any of the attempts at the description of a socialized state made in our time. For scholars at least Erasmus' writings represent an enduring contribution to Latin literature of the classic type, a storehouse of information with regard to the scholarship and also lack of scholarship of the time. For those interested in mystical subjects St. Ignatius' "Spiritual Exercises" is another of the Latin works of the period which, though it can scarcely be classed as literature, for, as we have said, Ignatius like Michelangelo wrote things rather than words, must take its place amid Columbian letters of lasting value since it is more used now than ever before.
There are not many surpassing works of vernacular literature from this time, and yet Machiavelli's history represents the only contribution to historical literature that takes a place in human interests beside the immortal trio of classical historians, Herodotus, Thucydides and Tacitus. Ariosto represents one of the favorite works of Italian scholars, and as the Italians have been the most cultured people in the world ever since, their critical judgment must be accepted as of great value. In popular literature the Tales of Chivalry, the Picaresque romances or tales of roguery and the almost endless [{xlii}] number of Italian novels show how wide must have been the popular reading of the time. In France Villon has always been a favorite for all classes, and with Charles of Orleans he has been known by scholars at least outside of France and thoroughly appreciated. French modes of verse following the Italian came to influence the other countries of Europe at this time and have never ceased to supply ideas for the form of the less serious modes of poetry at least for all the generations down to our own. The influence of Clément Marot, of Brantôme and the Pleiades was felt in every literature of Europe, and has not completely disappeared even after the nearly four centuries that have elapsed since their time.