The ordinary slide rest for hand lathes is made as follows:—That for ornamental turning will have a separate notice. [Fig. 134], shows the slide rest viewed from above, and it is evident if the tool is clamped to the holder F on the top plate, it can be advanced from end to end of the top slide B, and also (with the upper frame itself) along the lower frame A, A, these movements being at right angles the one to the other. For parallel work this is sufficient. In this compound rest a third motion is arranged for turning cones or taper plugs like those of stop cocks, taps for screw plates and such like articles. For this purpose the upper frame is cast like [Fig. 135], with a flat surface, but with two ribs underneath, uniting the frame to a circular plate with two concentric slots in it. This plate revolves on the plate G G, turning on a central pin, and it can be clamped by the two screws which pass through the slots into the plate in any desired position; once clamped at the required angle a piece of metal can be bored with a conical hole and a plug turned to fit it without possibility of failure. The details of construction allow of considerable variety, and different makers keep to their respective patterns; the main desideratum is strength and solidity, combined with accurate adjustment of the moving parts. The V's, underneath the frames, and the edges of the latter, must fit, so as not to be tighter in one place than another, and the upper and lower frames must cross each other accurately at right angles. It is likewise essential that the tool traverse the work in a perfectly horizontal line. Every part must, therefore, be accurately made by means of the lathe and planing machine, and the whole carefully put together. Notwithstanding the above desiderata, a slide rest is not necessarily beyond the skill of the amateur. We have, indeed, seen one thus made quite equal to the work of a professed mechanic, though the file and scraper had to take the place of the planing machine. The rough castings can be bought for about half-a-crown, suitable for a five-inch centre lathe, and it would be much better to try and fit up a set of these castings than to attempt such a substitute as a wooden slide rest. The latter has nevertheless been made, and we remember seeing one of mahogany edged with brass, the work of a cabinet maker, which did good service in turning and ornamenting wood.[9] This, however, was upwards of twenty years ago, since which time the facilities for obtaining slide rests of metal, properly constructed, have materially increased. As the dovetailed edges of the slides wear away by use, it is necessary to provide means for tightening up the V-pieces. This is shown in [Fig. 136]. The holes in the V-pieces through which the top screws pass are not round, but oval, so as to admit of lateral movement.
[9] In the Paris Exhibition of this year (1867) are some slide-rests made of hardwood and metal.
Figs. 134, 135.
Fig. 136.
Two large headed screws, E, E, are tapped into the place on which the V-pieces rest, and when these are screwed up, their heads (which are sunk for the purpose in two recesses in the lower plate) press against the V-pieces, driving them closer to the dovetailed slide. When thus adjusted the top screws are made use of to fix the strips c, c. By this method the slides can be adjusted to work with the utmost ease and accuracy, without shake or side play. The edge of the circular plate and the heads of the leading screws are very frequently marked in graduated divisions, so that the advance of the tool or the angle to be made with the work by the tool can be accurately measured and preserved. There should at any rate be a mark on the circular plate to show when the rest is set for parallel work. There are several patterns of tool holder, of which the forms shewn are convenient for light work. The one shown in [138] & [139] on the rest is somewhat different. The plate F, [Fig. 134], is cast with a boss and socket, like that of an ordinary rest. In this socket the tool holder fits, and can be not only turned round so as to set the tool at any angle, but also slightly adjusted in height, which is a great advantage. The tool is clamped by a single screw as shown in the sketch. The drawback to this form, and that on the rest, is this single screw, which will indeed hold the tool when the work is easy, but will not always retain it with sufficient firmness when the work is rough, or of tolerable size. In large workshops one usually meets with the holder represented in [Fig. 140]. A plate, A, with central block B, and slide C, are in one casting. Through A pass eight screws. The tool lies on either side of the central square block and is clamped with three screws, it has thus a fair bearing on two sides, and the screws form a third above, so that accidental shifting of the tool during the progress of the work is hardly possible. The tool holder of Professor Willis, which is described in the Appendix, is perhaps the best of all at present in use. It holds the tool firmly at any desired angle.
Fig. 138.