Bird Myths
35. THE BIRD TRIBES
Winged creatures of all kinds are classed under the generic term of aninâ′hilidâ′hĭ (flyers). Birds are called, alike in the singular and plural, tsi′skwa, the term being generally held to exclude the domestic fowls introduced by the whites. When it is necessary to make the distinction they are mentioned, respectively, as inăgĕhĭ (living in the woods), and uluñni′ta (tame). The robin is called tsiskwa′gwă, a name which can not be analyzed, while the little sparrow is called tsiskwâ′yă (the real or principal bird), perhaps, in accord with a principle in Indian nomenclature, on account of its wide distribution. As in other languages, many of the bird names are onomatopes, as waʻhuhu′ (the screech owl), u′guku′ (the hooting owl), wagulĭ′ (the whippoorwill), kâgû (the crow), gŭgwĕ′ (the quail), huhu (the yellow mocking-bird), tsĭ′kĭlilĭ′ (the chickadee), sa′sa′ (the goose). The turtledove is called gulĕ′-diskaʻnihĭ′ (it cries for acorns), on account of the resemblance of its cry to the sound of the word for acorn (gulĕ′). The meadow lark is called năkwĭsĭ′ (star), on account of the appearance of its tail when spread out as it soars. The nuthatch (Sitta carolinensis) is called tsulie′na (deaf), and is supposed to be without hearing, possibly on account of its fearless disregard for man’s presence. Certain diseases are diagnosed by the doctors as due to birds, either revengeful bird ghosts, bird feathers about the house, or bird shadows falling upon the patient from overhead.
The eagle (awâ′hĭlĭ) is the great sacred bird of the Cherokee, as of nearly all our native tribes, and figures prominently in their ceremonial ritual, especially in all things relating to war. The particular species prized was the golden or war eagle (Aquila chrysætus), called by the Cherokee the “pretty-feathered eagle,” on account of its beautiful tail feathers, white, tipped with black, which were in such great demand for decorative and ceremonial purposes that among the western tribes a single tail was often rated as equal in value to a horse. Among the Cherokee in the old times the killing of an eagle was an event which concerned the whole settlement, and could be undertaken only by the professional eagle killer, regularly chosen for the purpose on account of his knowledge of the prescribed forms and the prayers to be said afterwards in order to obtain pardon for the necessary sacrilege, and thus ward off vengeance from the tribe. It is told of one man upon the reservation that having deliberately killed an eagle in defiance of the ordinances he was constantly haunted by dreams of fierce eagles swooping down upon him, until the nightmare was finally exorcised after a long course of priestly treatment. In 1890 there was but one eagle killer remaining among the East Cherokee. It does not appear that the eagle was ever captured alive as among the plains tribes.
The eagle must be killed only in the winter or late fall after the crops were gathered and the snakes had retired to their dens. If killed in the summertime a frost would come to destroy the corn, while the songs of the Eagle dance, when the feathers were brought home, would so anger the snakes that they would become doubly dangerous. Consequently the Eagle songs were never sung until after the snakes had gone to sleep for the winter.
When the people of a town had decided upon an Eagle dance the eagle killer was called in, frequently from a distant settlement, to procure the feathers for the occasion. He was paid for his services from offerings made later at the dance, and as the few professionals guarded their secrets carefully from outsiders their business was a quite profitable one. After some preliminary preparation the eagle killer sets out alone for the mountains, taking with him his gun or bow and arrows. Having reached the mountains, he goes through a vigil of prayer and fasting, possibly lasting four days, after which he hunts until he succeeds in killing a deer. Then, placing the body in a convenient exposed situation upon one of the highest cliffs, he conceals himself near by and begins to sing in a low undertone the songs to call down the eagles from the sky. When the eagle alights upon the carcass, which will be almost immediately if the singer understands his business, he shoots it, and then standing over the dead bird, he addresses to it a prayer in which he begs it not to seek vengeance upon his tribe, because it is not a Cherokee, but a Spaniard (Askwa′nĭ) that has done the deed. The selection of such a vicarious victim of revenge is evidence at once of the antiquity of the prayer in its present form and of the enduring impression which the cruelties of the early Spanish adventurers made upon the natives.
Fig. 1—Feather wand of Eagle dance (made by John Ax).
The prayer ended, he leaves the dead eagle where it fell and makes all haste to the settlement, where the people are anxiously expecting his return. On meeting the first warriors he says simply, “A snowbird has died,” and passes on at once to his own quarters, his work being now finished. The announcement is made in this form in order to insure against the vengeance of any eagles that might overhear, the little snowbird being considered too insignificant a creature to be dreaded.