Having waited four days to allow time for the insect parasites to leave the body, the hunters delegated for the purpose go out to bring in the feathers. On arriving at the place they strip the body of the large tail and wing feathers, which they wrap in a fresh deerskin brought with them, and then return to the settlement, leaving the body of the dead eagle upon the ground, together with that of the slain deer, the latter being intended as a sacrifice to the eagle spirits. On reaching the settlement, the feathers, still wrapped in the deerskin, are hung up in a small, round hut built for this special purpose near the edge of the dance ground (detsănûñ′lĭ) and known as the place “where the feathers are kept,” or feather house. Some settlements had two such feather houses, one at each end of the dance ground. The Eagle dance was held on the night of the same day on which the feathers were brought in, all the necessary arrangements having been made beforehand. In the meantime, as the feathers were supposed to be hungry after their journey, a dish of venison and corn was set upon the ground below them and they were invited to eat. The body of a flaxbird or scarlet tanager (Piranga rubra) was also hung up with the feathers for the same purpose. The food thus given to the feathers was disposed of after the dance, as described in another place.
The eagle being regarded as a great ada′wehĭ, only the greatest warriors and those versed in the sacred ordinances would dare to wear the feathers or to carry them in the dance. Should any person in the settlement dream of eagles or eagle feathers he must arrange for an Eagle dance, with the usual vigil and fasting, at the first opportunity; otherwise some one of his family will die. Should the insect parasites which infest the feathers of the bird in life get upon a man they will breed a skin disease which is sure to develop, even though it may be latent for years. It is for this reason that the body of the eagle is allowed to remain four days upon the ground before being brought into the settlement.
The raven (kâ′lănû) is occasionally seen in the mountains, but is not prominent in folk belief, excepting in connection with the grewsome tales of the Raven Mocker (q. v.). In former times its name was sometimes assumed as a war title. The crow, so prominent in other tribal mythologies, does not seem to appear in that of the Cherokee. Three varieties of owls are recognized, each under a different name, viz: tskĭlĭ′, the dusky horned owl (Bubo virginianus saturatus); u′guku′, the barred or hooting owl (Syrnium nebulosum), and waʻhuhu′, the screech owl (Megascops asio). The first of these names signifies a witch, the others being onomatopes. Owls and other night-crying birds are believed to be embodied ghosts or disguised witches, and their cry is dreaded as a sound of evil omen. If the eyes of a child be bathed with water in which one of the long wing or tail feathers of an owl has been soaked, the child will be able to keep awake all night. The feather must be found by chance, and not procured intentionally for the purpose. On the other hand, an application of water in which the feather of a blue jay, procured in the same way, has been soaked will make the child an early riser.
The buzzard (sulĭ′) is said to have had a part in shaping the earth, as was narrated in the genesis myth. It is reputed to be a doctor among birds, and is respected accordingly, although its feathers are never worn by ball players, for fear of becoming bald. Its own baldness is accounted for by a vulgar story. As it thrives upon carrion and decay, it is held to be immune from sickness, especially of a contagious character, and a small quantity of its flesh eaten, or of the soup used as a wash, is believed to be a sure preventive of smallpox, and was used for this purpose during the smallpox epidemic among the East Cherokee in 1866. According to the Wahnenauhi manuscript, it is said also that a buzzard feather placed over the cabin door will keep out witches. In treating gunshot wounds, the medicine is blown into the wound through a tube cut from a buzzard quill and some of the buzzard’s down is afterwards laid over the spot.
There is very little concerning hawks, excepting as regards the great mythic hawk, the Tlă′nuwă′. The tlă′nuwă′ usdi′, or “little tlă′nuwă,” is described as a bird about as large as a turkey and of a grayish blue color, which used to follow the flocks of wild pigeons, flying overhead and darting down occasionally upon a victim, which it struck and killed with its sharp breast and ate upon the wing, without alighting. It is probably the goshawk (Astur atricapillus).
The common swamp gallinule, locally known as mudhen or didapper (Gallinula galeata), is called diga′gwanĭ′ (lame or crippled), on account of its habit of flying only for a very short distance at a time. In the Diga′gwanĭ′ dance the performers sing the name of the bird and endeavor to imitate its halting movements. The dagûl′kû, or white-fronted goose (Anser albifrons), appears in connection with the myth of the origin of tobacco. The feathers of the tskwâyĭ, the great white heron or American egret (Herodias egretta), are worn by ball players, and this bird probably the “swan” whose white wing was used as a peace emblem in ancient times.
BUREAU OF AMERICAN ETHNOLOGY NINETEENTH ANNUAL REPORT PL. XV
PHOTOGRAPH BY AUTHOR, 1888
SAWĂNU′GĬ, A CHEROKEE BALL-PLAYER