Back to God's Country and Other Stories

by James Oliver Curwood

It was the print of a naked human foot in a bar of mud.

How it came there, why it was there, and why if was a naked foot I suppose were the first thoughts that leaped into our startled minds. What man could live in these infernal regions? WAS it a man, or was it the footprint of some primeval ape, a monstrous survival of the centuries?

The trail led through a steaming slough in which the mud and water were tepid and which grew rank with yellow reeds and thick grasses—grasses that were almost flesh-like, it seemed to me, as if swollen and about to burst from some dreadful disease, Perhaps your scientists can tell why sulphur has this effect on vegetation. It is so; there was sulphur in the very wood we burned. Through those reeds and grasses we soon found where a narrow trail was beaten, and then we came to a rise of land sheltered in timber, a sort of hill in that flat world, and on the crest of this hill we found a cabin.

Yes, a cabin; a cabin built roughly of logs, and it was yellow with sulphur, as if painted. We went inside and we found there the man whom you know as Joseph Brecht. I did not look at M'sieu when he first rose before us, but I heard a great gasp from his throat behind me. And I think I stood as if life had suddenly gone out of me. Joseph Brecht was half naked. His feet were bare. He looked like a wild man, with his uncut hair—a wild man except that his face was smooth. Curious that a man would shave there! And not so odd, perhaps, when one knows how a beard gathers sulphur. He had risen from a cot on which there was a bed of boughs, and in the light that came in through the open door he looked terribly emaciated, with the skin drawn tightly over his cheek bones. It was he who spoke first.

"I am glad you have come," he said, his eyes staring wildly. "I guess I am dying. Some water, please. There is a spring back of the cabin."

Quite sanely he spoke, and yet the words were scarcely out of his mouth when he fell back upon the cot, his eyes rolling in the top of his head, his mouth agape, his breath coming in great panting gasps. It was a strange sickness. I will not trouble you with all the details. You are anxious for the story—the tragedy—which alone will count with you gentlemen of the law. It came out in his fever, and in the fits of sanity into which he at times succeeded in rousing himself. His name, he said, was Joseph Brecht. For two years he had lived in that sulphur hell. He had, by accident, found the spring of fresh, sweet water trickling out of the hill—another miracle for which I have not tried to account; he built his cabin; for two years he had gone with his canoe to the shore of the great Slave, forty miles distant, for the food he ate. But WHY was he here? That was the story that came bit by bit, half in his fever, half in his sanity. I will tell it in my own words. He was a Government man, mapping out the last timber lines along the edge of the Great Barren, when he first met Andre Beauvais and his wife, Marie. An accident took him to their cabin, a sprained leg. Andre was a fox-hunter, and it was when he was coming home from one of his trips that he found Joseph Brecht helpless in the deep snow, and carried him on his shoulders to his cabin.

Ah, gentlemen, it was the old story—the story old as time. In his sanity he told us about Marie, I hovering over him closely, M'sieu sitting back in the shadows. She was like some wonderful wildflower, French, a little Indian. He told us how her long black hair would stream in a shining cascade, soft as the breast of a swan, to her knees and below; how it would hang again in two great, lustrous braids, and how her eyes were limpid pools that set his soul afire, and how her slim, beautiful body filled him with a monstrous desire. She must have been beautiful. And her husband, Andre Beauvais, worshipped her, and the ground she trod on. And he had the faith in her that a mother has in her child. It was a sublime love, and Joseph Brecht told us about it as he lay there, dying, as he supposed. In that faith of his Andre went unsuspectingly to his trap-lines and his poison-trails, and Marie and Joseph were for many hours at a time alone, sometimes for a day, sometimes for two days, and occasionally for three, for even after his limb had regained its strength Joseph feigned that it was bad. It was a hard fight, he said—a hard fight for him to win her; but win her he did, utterly, absolutely, heart, body and soul. Remember, he was from the South, with all its power of language, all its tricks of love, all its furtiveness of argument, a strong man with a strong mind—and she had lived all her life in the wilderness. She was no match for him. She surrendered. He told us how, after that, he would unbind her wonderful hair and pillow his face in it; how he lived in a heaven of transport, how utterly she gave herself to him in those times when Andre, was away.

Did he love her?

Yes, in that mad passion of the brute. But not as you and I might love a woman, gentlemen. Not as Andre loved her. Whether she had a heart or a soul it did not matter. His eyes were blind with an insensate joy when he shrouded himself in her wonderful hair. To see the wild color painting her face like a flower filled his veins with fire. The beauty of her, the touch of her, the mad beat of her heart against him made him like a drunken man in his triumph. Love? Yes, the love of the brute! He prolonged his stay. He had no idea of taking her with him. When the time came, he would go. Day after day, week after week he put it off, feigning that the bone of his leg was affected, and Andre Beauvais treated him like a brother. He told us all this as he lay there in his cabin in that sulphur hell. I am a man of God, and I do not lie.

Is there need to tell you that Andre discovered them? Yes, he found them—and with that wonderful hair of hers so closely about them that he was still bound in the tresses when the discovery came.