Triumphs and Wonders of the 19th Century: The True Mirror of a Phenomenal Era / A volume of original, entertaining and instructive historic and descriptive writings, showing the many and marvellous achievements which distinguish an hundred years of material, intellectual, social and moral progress

by James P. Boyd

American visitors to the London exhibition brought home with them a pretty large inspiration for a similar effort, and before the close of 1851 a number of citizens of New York had associated themselves for that purpose. In January, 1852, the corporation of the city of New York granted a lease for five years of Reservoir Square, on the conditions that a building of iron, glass, and wood should be erected thereon, and that the entrance fee to the proposed exhibition should not exceed fifty cents. In March, the Legislature incorporated the Association for the Exhibition of the Industries of all Nations, with a capital of $200,000 that might be increased to $300,000. Subsequently, the Federal Government constituted the building a bonded warehouse and exempted foreign exhibits from the payment of duties.

This exhibition was therefore a private enterprise, having no other official recognition than that mentioned. It was also an unfortunate affair from beginning to end. The location was then three or four miles from the heart of the city; the area was entirely inadequate for the purpose; the day of opening had to be postponed, because of the incomplete condition of the building; and financially the enterprise was a huge failure.

The exhibition was opened July 14, 1853, with much ceremony, although still scarcely half ready for exhibits or visitors, and was continued for 119 days. There were about 4800 exhibitors, somewhat more than one-half being foreign. The total cost of the exhibition was nearly $1,000,000, and the receipts were $340,000. Although a financial failure, and a disappointment in many ways, this first international exhibition in the United States was productive of much good.

The success of the London exhibition also aroused the French to depart from the exclusively national character of their former exhibitions and to inaugurate one open to the world. This was done under the direct auspices of the Imperial Government, which undertook to combine certain features of both the London and the New York enterprises; hence, the first international exhibition held in Paris was practically a private scheme supported by official guarantees. A further departure was here made in the matter of building, and, instead of the single great structure, there were the Palais de l’Industrie, the Palais des Beaux Arts, the Panorama, and three smaller buildings for agricultural implements, carriages, and a variety of less costly articles. Another innovation was here introduced, a partial return to the methods of the commercial fair, in the setting apart of exhibiting spaces on the open ground.

The main building, the Palais de l’Industrie, was erected by a joint-stock company on the Champs Elysées, and provided a floor space of 1,770,000 square feet. It was built of glass, stone, and brick, and was 800 feet long by 350 feet wide. The various buildings cost about $5,000,000, and the Palais de l’Industrie was erected for a permanent structure.

This exhibition was opened on May 15, 1855, and closed on November 15, following. It was visited by 4,533,464 persons. Besides France and her colonies, fifty-three foreign states and twenty-two colonies belonging to them sent exhibits. In all there were 20,839 exhibitors, those of France and her colonies predominating by only about 500. The exhibits were classified on the London plan, there being in each case thirty classes altogether. Excluding the main building, which the Imperial Government acquired, the exhibition cost about $2,250,000.

Between the first and second London exhibitions there were many industrial and art displays in the United Kingdom and colonies and on the Continent, among which should be noted those of New Brunswick and Madras in 1853, Munich in 1854, and Edinburgh and Manchester in 1857.

The second London exhibition was undertaken by a commission headed, as the first, by the Prince Consort, under a guarantee fund of $2,250,000. While it was in course of preparation the Prince Consort died, and for a while a heavy pall hung over the scheme. The commission here introduced the French idea of separate buildings. The site was at South Kensington, and the main structure was built of brick, glass, and iron, was nearly rectangular in shape, and covered an area of about seven acres. With the annexes the total area under roof was about twenty-three acres.

WOMAN’S BUILDING.