(World’s Columbian Exposition, 1893.)
This exhibition was opened by the Duke of Cambridge on May 1, 1862, and remained open for 177 days. It was visited by 6,211,103 persons, a daily average of 36,329, its receipts were wholly absorbed by expenses, and a slight deficit was left. Foreign exhibitors numbered 17,861, and received more than 9000 prizes.
In 1863 the French Government announced that an exhibition would be held in Paris in 1867, that was intended to be more completely universal in character and more comprehensive in plan than any that had ever been held. The Champ de Mars, the great parade-ground on which the Ecole Militaire faced, containing about 111 acres, was placed at the disposal of the commissioners by the Government. In the centre of this space was erected the principal building, an oval structure mainly of iron, 1607 feet long and 1246 feet wide, that cost $2,357,000.
In planning this building the convenience of exhibitors and visitors in ready access to the exhibits of any desired country or class was given the preference over architectural effect. Here, again, was a diffusion of exhibits in detached buildings, and a noteworthy novelty was the reservation of ground on the park surrounding the main building for the erection by foreign exhibitors of special buildings for the display of articles that could not be accommodated in the main structure. This feature became the most popular one of the entire exhibition, for it gave a most graphic illustration of the architecture, manners, customs, and countless peculiarities of the peoples of the world.
The exhibition was opened by the Emperor on April 1, 1867, and was closed on October 31, following. The number of visitors was upward of 15,000,000, a daily average of nearly 70,000, and of exhibitors, 51,819. In all, 12,944 medals and grand prizes of honorable mention were awarded. From beginning to end the expenses were $4,596,764, and the receipts aggregated $2,822,000. The national and municipal governments contributed $1,200,000 each, which added to the receipts of the exhibition proper created a surplus over expenditure of $626,000.
London’s third exhibition, from May 1 till September 30, 1871, was projected as the first of an annual series that should separately promote a distinct branch of industrial effort. Thirty-three foreign countries were represented; there were approximately 4000 art and 7000 industrial exhibitors; and the visitors numbered 1,142,000. The second in the series, in 1872, was confined to printing, paper, music, musical instruments, jewelry, cotton goods, and fine arts; and the third, in 1873, was devoted to the general subject of cookery.
Great as was the universal exposition of Paris in 1867, that at Vienna in 1873 far surpassed it in extent and grandeur, although its pecuniary success was severely affected by an epidemic of cholera, a financial crisis, and local extortions. As each of the preceding international exhibitions had developed a distinctive feature, so this of Vienna introduced the custom of holding world’s congresses for the discussion of great problems of universal application.
The exhibition was opened on May 1 and closed on November 3, following. Turnstiles recorded the entrance of 7,254,687 visitors. There were about 70,000 exhibitors, whose display, in extent and costliness, exceeded that of Paris in 1867. The gross receipts were about $2,000,000, and expenditures about $9,850,000, making a deficiency of some $7,850,000, which the Government liquidated. The United States was represented by 643 exhibitors, more than half of whom were awarded prizes.
This brings the record up to the Centennial Exposition, at Philadelphia, in 1876, and covers the third quarter of the century. The actual work of making the Centennial Exhibition began on March 3, 1871, when Congress passed an Act creating the United States Centennial Commission. This authorized the President to appoint a commissioner and an alternate from each State and Territory, on the nomination of the respective governors. The appointments were promptly made, and from the whole body of commissioners the following were chosen for the principal executive officers: President, Joseph R. Hawley, of Connecticut; Vice-Presidents, Alfred T. Goshorn, of Ohio, Orestes Cleveland, of New Jersey, John D. Creigh, of California, Robert Lowry, of Iowa, and Robert Mallory, of Kentucky; Director-General, Alfred T. Goshorn; Secretary, John L. Campbell, of Indiana; Assistant Secretary, Dorsey Gardner; Counselor and Solicitor, John L. Shoemaker.
Details of organization and management were vested in an Executive Committee. On June 1, 1872, Congress passed an Act creating the Centennial Board of Finance, with large powers. This Board estimated that the cost of the exhibition would be $10,000,000, and apportioned shares of capital stock for this amount among the several States and Territories, on the basis of population. Subsequently, a Board of Revenue was appointed and vested with authority to collect subscriptions and other funds.