[36]. [The day on which the sun enters a new sign of the zodiac.]
[37]. This is another of the numerous instances of contradictory feelings in the Rajput character. Amra, elder brother of Jaswant, was banished Marwar, lost his birthright, and was afterwards slain at court, as already related. His son, Indar Singh and grandson Mohkam, from Nagor, which they held in separate grants from the king, never forgot their title as elder branch of the family, and eternally contested their claim against Ajit. Still, as a Rathor, he was bound to avenge the injuries of a Rathor, even though his personal foe.—Singular inconsistency!
[38]. There is an anecdote regarding the fountain of this classic field of strife, the Troad of Rajasthan, which well exemplifies the superstitious belief of the warlike Rajput. The emperor Bahadur Shah was desirous to visit this scene of the exploits of the heroes of antiquity, stimulated, no doubt, by his Rajputni queen, or his mother, also of this race. He was seated under a tree which shaded the sacred fount, named after the great leader of the Kauravas, his queen by his side, surrounded by kanats to hide them from profane eyes, when a vulture perched upon the tree with a bone in its beak, which falling in the fountain, the bird set up a scream of laughter. The king looked up in astonishment, which was greatly increased when the vulture addressed him in human accents, saying “that in a former birth she was a Jogini, and was in the field of slaughter of the Great War, whence she flew away with the dissevered arm of one of its mighty warriors, with which she alighted on that very tree, that the arm was encumbered with a ponderous golden bracelet, in which, as an amulet, were set thirteen brilliant symbols of Siva, and that after devouring the flesh, she dropped the bracelet, which fell into the fountain, and it was this awakened coincidence which had caused the scream of laughter.” We must suppose that this, the palada of the field of slaughter, spoke Sanskrit or its dialect, interpreted by his Rajput queen. Instantly the pioneers were commanded to clear the fountain, and behold the relic of the Mahabharata, with the symbolic emblems of the god all-perfect! and so large were they, that the emperor remarked they would answer excellently well for “slaves of the carpet.”[[A]] The Hindu princes then present, among whom were the Rajas Ajit and Jai Singh, were shocked at this levity, and each entreated of the king one of the phallic symbols. The Mirza Raja obtained two, and both are yet at Jaipur, one in the Temple of Silah Devi,[[B]] the other in that of Govinda. Ajit had one, still preserved and worshipped at the shrine of Girdhari at Jodhpur. My old tutor and friend, the Yati Gyanchandra, who told the story while he read the chronicles as I translated them, has often seen and made homage to all the three relics. There is one, he believed, at Bundi or Kotah, and the Rana by some means obtained another. They are of pure rock crystal, and as each weighs some pounds, there must have been giants in the days of the Bharat, to have supported thirteen in one armlet. Homer’s heroes were pigmies to the Kauravas, whose bracelet we may doubt if Ajax could have lifted. My venerable tutor, though liberal in his opinions, did not choose to dissent from the general belief, for man, he said, had beyond a doubt greatly degenerated since the heroic ages, and was rapidly approximating to the period, the immediate forerunner of a universal renovation, when only dwarfs would creep over the land.
[A]. [The weights which keep it down.]
[B]. The goddess of arms, their Pallas.
[39]. Durga’s fief on the Luni.