One day we saw him still wandering to and fro, but the pictures had disappeared. A cage was on his back, and in the cage, balancing against the joggle and movement of his walk, was an uncomfortable hen. We had become more accustomed to the Jijona speech by this time, and the tickets which the pictures had hidden were plainly visible in his hands. He was running a private lottery at three chances "a little bitch." I took thirty tickets for the hen, and gave fifteen of them to Tia Roger, but we pulled blanks. His next venture was a bedroom looking-glass, the stand of which stuck out from his back in an ungainly fashion. It must have needed considerable ingenuity to keep his small village clientèle sufficiently desirous to ensure for him any sort of a living.
His wife learned that I had put him into one of my sketches. She hurried to the Torre de Blay, carrying her child, and accompanied by a horde of women friends to see "The Portrait." Her disappointment was great to find that he was but a minute figure in a street landscape. She told me that her husband had lost his sight ten years before in a street quarrel. His opponent had slashed a knife across his eyes. For this the law exacted no penalty. But she had drawn no lesson from her husband's misfortune. Her baby was in a bad condition, flies, dust and exposure to the sun were working wickedly on the child's eyes, and even then early blindness appeared to be threatening. But it seemed to us that many of the more ignorant Spanish were careless of their children's eyesight. Blindness is rampant, but blindness leads to beggary; and beggary accompanied by blindness is a profitable pursuit. Possibly a woman may say, "Little Juan seems to be going blind. Well, that's a comfort, he will be settled in life anyhow."
Jijona had two other blind men. The one made a living by selling cigars from a glass case strapped to his chest.
We were sitting in the entrada of the Vinegars' on the first day of the fiesta. The curtain was pushed slowly aside and through the opening crept a pathetic figure. It was that of an old man; his eyes were sightless and suppurating, a straw hat with a torn brim shaded his heavy face, in one hand he grasped an aged guitar, in the other a stick with which he explored the entrada for a chair. Jan quickly got out of his chair for fear that the blind man should sit down on his lap. The man found the chair with his stick, and trembling with the pain of movement took a seat. Adjusting the guitar, with stiff fingers he rasped the strings which gave out a sound, thin as though withered by extreme age. With exercise his fingers strengthened, until from the decrepit instrument he plucked a melody from which one might imagine that the blind in Maeterlinck's play were dancing to solace their loneliness. The almost macabre dance came to an end, then striking out a new set of chords he broke into a Spanish song. His voice was an instrument as worn out as the guitar.
He ceased his heartrending performance, collected his meed of halfpence; I spoke to him, and he broke into an hysterical laugh of joy.
"You have returned, you have returned," he cried.
"It is El Señor that he takes you for," explained one of the girls. "He was very good to him. The old man recognizes the English accent."
We explained to him his mistake, and the delight faded from his poor old face, and the blank expressionless look of the blind came back. Slowly he turned to the entrance and his tapping, which led him away down the street. Thus he pursued his trade, feeling his way from door to door, entering any one that was open, seating himself upon the first unoccupied chair which he could find: few could have been hard-hearted enough to deny his unspoken pleading.
One evening we met him in the upper town.... An accident had happened, and his guitar was opened out like an old boot; it still held together at the handle, but at the front of the instrument the soundboard and back had become detached from the sides. In a clumsy fashion the hurt had been bound up with string. We asked him what had happened. He did not reply, but cried out with a high-pitched, half-crazy laugh. Then standing astraddle in the precipitous street he began to pluck at the strings as though the guitar could answer for him. The thin voice of it had now sunk to a mere ghost of a sound, the murmur of a summer freshet might well have drowned its plaintive whisper. Then turning he made his way downhill