[218] c. Neaer. 76 τὸ ἱερὸν τοῦ Διονύσου ἐν Λίμναις.
[219] Phanodemus ap. Athen. XI. 465 A τὸ ἱερὸν τοῦ ἐν Λίμναις Διονύσου.
[220] Is. Or. VIII. 35 τὸ ἐν Λίμναις Διονύσιον. For these references see Dr Dörpfeld, ‘Lenaion,’ A. Mitt. 1895, XX. p. 368.
[221] For the fullest account of this orchestra see Prof. Dörpfeld, Das Griechische Theater, p. 27.
[222] In the Parian Chronicle, ἀφ’ οὗ Θέσπις ὁ ποιητὴς [ὑπεκρίνα]το πρῶτος, ὃς ἐδίδαξε [δρ]ᾶ[μα ἐν ἄ]στ[ει. The restoration ἐν ἄστει seems certain.
[223] Ps. Plut. Vit. X. Orat. 6 εἰσήνεγκε δὲ καὶ νόμους τὸν περὶ τῶν κωμῳδῶν ἀγῶνα τοῖς Χύτροις ἐπιτελεῖν ἐφάμιλλον ἐν τῷ θεάτρῳ, καὶ τὸν νικήσαντα εἰς ἄστυ καταλέγεσθαι, πρότερον οὐκ ἐξὸν, ἀναλαμβάνων τὸν ἀγῶνα ἐκλελοιπότα.
[224] Ps. Plut. Vit. X. Orat.
[225] Paus. I. 8. 6 τὸ θέατρον ὃ καλοῦσιν ᾠδεῖον.
[226] Philostr. Vit. Soph. II. 5. 4 τὸ ἐν τῷ Κεραμεικῷ θέατρον ὃ δὴ ἐπωνόμασται Ἀγριππεῖον. For the whole question of the Odeion which, save for its possible identity in site with the old orchestra, does not concern us, see Dr Dörpfeld, ‘Die verschiedenen Odeien in Athen,’ A. Mitt. XVII. 1892, p. 352.
[227] Prolegomena to the Study of Greek Religion, Chapter II., The Anthesteria.