4 For the grub of the Cetonia, or Rose-chafer, cf. The Life and Love of the Insect, by J. Henri Fabre, translated by Alexander Teixeira de Mattos: chap. xi.—Translator's Note.
The first seven segments of the abdomen have, both above and below, a four-sided facet, bristling with rough protuberances. This the grub can either expand or contract, making it stick out or lie flat at will. The upper facets consist of two excrescences separated by the mid-dorsal line; the lower ones have not this divided appearance. These are the organs of locomotion, the ambulacra. When the larva wishes to move forwards, it expands its hinder ambulacra, those on the back as well as those on the belly, and contracts its front ones. Fixed to the side of the narrow gallery by their ridges, the hind-pads give the grub a purchase. The flattening of the fore-pads, by decreasing the diameter, allows it to slip forward and to take half a step. To complete the step, the hind-quarters have to be brought up the same distance. With this object, the front pads fill out and provide support, while those behind shrink and leave free scope for their segments to contract.
With the double support of its back and belly, with alternate puffings and shrinkings, the animal easily advances or retreats along its gallery, a sort of mould which the contents fill without a gap. But, if the locomotory pads grip only on one side, progress becomes impossible. When placed on the smooth wood of my table, the animal wriggles slowly; it lengthens and shortens without advancing by a hair's-breadth. Laid on the surface of a piece of split oak, a rough, uneven surface, due to the gash made by the wedge, it twists and writhes, moves the front part of its body very slowly from left to right and right to left, lifts it a little, lowers it and begins again. These are the most extensive movements made. The vestigial legs remain inert and absolutely useless.
Then why are they there? Better to lose them altogether, if it be true that crawling inside the oak has deprived the animal of the good legs with which it started. The influence of environment, so well-inspired in endowing the grub with ambulatory pads, becomes a mockery when it leaves it these ridiculous stumps. Can the structure, perchance, be obeying other rules than those of environment?
Though the useless legs, the germs of the future limbs, persist, there is no sign in the grub of the eyes wherewith the Cerambyx will be richly gifted. The larva has not the least trace of organs of vision. What would it do with sight, in the murky thickness of a tree-trunk? Hearing is likewise absent. In the never-troubled silence of the oak's inmost heart, the sense of hearing would be a non-sense. Where sounds are lacking, of what use is the faculty of discerning them? Should there be any doubts, I will reply to them with the following experiment. Split lengthwise, the grub's abode leaves a half-tunnel wherein I can watch the occupant's doings. When left alone, it now gnaws the front of its gallery, now rests, fixed by its ambulacra to the two sides of the channel. I avail myself of these moments of quiet to enquire into its power of perceiving sounds. The banging of hard bodies, the ring of metallic objects, the grating of a file upon a saw are tried in vain. The animal remains impassive. Not a wince, not a move of the skin; no sign of awakened attention. I succeed no better when I scratch the wood close by with a hard point, to imitate the sound of some neighbouring larva gnawing the intervening thickness. The indifference to my noisy tricks could be no greater in a lifeless object. The animal is deaf.
Can it smell? Everything tells us no. Scent is of assistance in the search for food. But the Capricorn-grub need not go in quest of eatables: it feeds on its home, it lives on the wood that gives it shelter. Let us make an attempt or two, however. I scoop in a log of fresh cypress-wood a groove of the same diameter as that of the natural galleries and I place the worm inside it. Cypress-wood is strongly-scented; it possesses in a high degree that resinous aroma which characterizes most of the pine family. Well, when laid in the odoriferous channel, the larva goes to the end, as far as it can go, and makes no further movement. Does not this placid quiescence point to the absence of a sense of smell? The resinous flavour, so strange to the grub which has always lived in oak, ought to vex it, to trouble it; and the disagreeable impression ought to be revealed by a certain commotion, by certain attempts to get away. Well, nothing of the kind happens: once the larva has found the right position in the groove, it does not stir. I do more: I set before it, at a very short distance, in its normal canal, a piece of camphor. Again, no effect. Camphor is followed by naphthaline. Still nothing. After these fruitless endeavours, I do not think that I am going too far when I deny the creature a sense of smell.
Taste is there, no doubt. But such taste! The food is without variety: oak, for three years at a stretch, and nothing else. What can the grub's palate appreciate in this monotonous fare? The tannic relish of a fresh piece, oozing with sap; the uninteresting flavour of an over-dry piece, robbed of its natural condiment: these probably represent the whole gustative scale.
There remains touch, the far-spreading passive sense common to all live flesh that quivers under the goad of pain. The sensitive schedule of the Cerambyx-grub, therefore, is limited to taste and touch, both exceedingly obtuse. This almost brings us to Condillac's statue. The imaginary being of the philosopher had one sense only, that of smell, equal in delicacy to our own; the real being, the ravager of the oak, has two, inferior, even when put together, to the former, which so plainly perceived the scent of a rose and distinguished it so clearly from any other. The real case will bear comparison with the fictitious.
What can be the psychology of a creature possessing such a powerful digestive organism combined with such a feeble set of senses? A vain wish has often come to me in my dreams: it is to be able to think, for a few minutes, with the crude brain of my Dog, to see the world with the faceted eyes of a Gnat. How things would change in appearance! They would change much more if interpreted by the intellect of the grub. What have the lessons of touch and taste contributed to that rudimentary receptacle of impressions? Very little; almost nothing. The animal knows that the best bits possess an astringent flavour; that the sides of a passage not carefully planed are painful to the skin. This is the utmost limit of its acquired wisdom. In comparison, the statue with the sensitive nostrils was a marvel of knowledge, a paragon too generously endowed by its inventor. It remembered, compared, judged, reasoned: does the drowsy, digesting paunch remember? Does it compare? Does it reason? I defined the Capricorn-grub as a bit of an intestine that crawls about. The undeniable accuracy of this definition provides me with my answer: the grub has the aggregate of sense-impressions that a bit of an intestine may hope to have.