But the Princess Julienne was there, whom he (as we all do) still recognized right well as a Blumenbühl acquaintance, as she also did him. She was truly full of youthful charms, but one did not find these out till one had been for two days violently in love with her; that made her every minute afterward prettier, as in fact love is rather the father than the son of the goddess of grace, and his quiver the best casket of jewels and the richest toilet-box, and his bandage the best mouchoir de Venus and beauty-patch that I know.
She was just sketching the gypsum-cast of a noble old head, which seemed to the Count as if it must have been drawn from the antique-cabinet of his memory, and toward which his swelling heart flowed out right lovingly; but he could not recall the original. At last Julienne, in despite of etiquette, said, looking up most kindly, "Ah, dear Augusti, my father lies dead in Lilar." The word Lilar suddenly colored, in Albano, the pale image of recollection,—perfectly like this white bust had the old man in the moonshine looked, who, in that poetical summer-night, pressed Zesara's hands together on the mountain for prayer, and said, "Go home to sleep, dear son, ere the storm comes." Now another would have inquired after the name of the bust, and then, and not till then, have disclosed the nocturnal history; but the Count, in his warmth, did merely the latter, after waiting a short time for the conversation to run out. Augusti, when Albano began the history—to him a foreign one—of his acquaintance with the original, was on thorns to interrupt him; but Julienne gave him a nod, to let him go on, and the youth true-heartedly communicated to the sympathizing soul the beautiful meeting, with a tenderness of emotion and fire, both of which increased when her eyes flowed over into her smiles. "It was my father,—that is his cast," said Julienne, weeping and glad. Albano, after his manner, clasped his hands together, with a sigh, before the bust, and said, "Thou noble, heartily-beloved form!" and his large eye gleamed with love and sorrow.
The good female soul was carried away by a sympathy so uncourtly, and she gave herself up completely to her inborn fire. Female and court life is truly only a longer punishment of bearing arms (as, according to the model of the yes-sirs, there are no-sirs, so royal governesses are true no-ma'ams); the seven-colored cockade of gay, dancing liberty is there torn off, or runs into the black of court-mourning; every female pleasure-grove must be an unholy one; I know nothing more fatal,—but the curly-haired Julienne, in spite of you and me, broke through the eternal imprisonment (with sweet bread and strong water), some twelve times a day, and laughed to the free heavens, and offended (herself and others never) the royal governess always. She now related to the Count (while from nervous weakness and vivacity she continued to smile more brightly and speak more rapidly) how her dear, feeble father, more childlike than childish, whose old lips and disabled thoughts could not possibly any longer do more than lisp a response to prayers, had shut himself up with a snowy-headed mystical court-preacher in an oratory at Lilar (a gray head loves to hide itself before it disappears forever, and seeks, like birds, a dark place for going to sleep),—and how she and Fräulein von Froulay (Liana) had alternately read prayers before the half-blind old man, and, as it were, tolled the evening-bell of devotion to the weary, sleep-drunken life. She painted how, in this antechamber of the tomb, he had outlived or forgotten all that he had once loved; how he had kept always asking after her mother, whose death was ever slipping again from his memory; and how the dimmed eye had taken every hour of the day for evening, and accordingly every one who went out as one going to bed.
We will not look too long at this late time of life, when men again, like children, shrink up for the more lasting cradle of the grave; and when, like flowers sleeping at evening, they become undistinguishable, and grow all alike, even before death makes them so.
The Lector, like all courtiers, was particularly ill-suited with these funereals; he would also fain heal the Job's malady of her lamentation by changing the current of discourse, and bringing it nearer to Liana. But in the very act of describing the sympathy and sacrifices of this friend, and when memory brought back to her the long, tearful embrace in which Liana had locked her and pain at once as it were fast to her bosom, then came back into her heart anew every dark, heavy drop of blood which her powerful arteries had sent forth, and she ceased to portray either this history or the head upon which she had been engaged.
The two female friends were none of those who send a kiss to each other through two thicknesses of veil, or who know how to hug each other without wounding or bruising a curl, or whose love-feast every year, as the sacramental bread every century, breaks lighter and thinner; but they loved each other intensely,—with eyes, lips, and hearts,—like two good angels. And if hitherto joy had taken her harvest-wreath and made it a wedding-ring of friendship, so now did grief seek to do the same with his girdle of thorns. You good souls! to me it is very easily imaginable how such a pure, bright linking of souls should at once painfully distend and blissfully exalt the heart of your friend Albano, as the aerostatic ball at once destructively swells and soars. For Liana's entry, there stood besides beautifully decorated triumphal gates to the highest heavens in his innermost being!
Meanwhile a stranger would not, without this pen of mine (nor I myself without the fee-provost Hafenreffer), have been able to observe anything in the Count, while speaking, except a mild, wandering glow in his face, and rapidity of utterance.
31. CYCLE.
Into the midst of these delineations and enjoyments the successor, or rather the afterwinter of the cold old man, Luigi, suddenly entered. With a flat, carved work of spongy face, on which nothing expressed itself but the everlasting discontent of life-prodigals, and with a little full-grown miniver[51] on his head (as forerunner of the wisdom-teeth), and with the unfruitful superfetation of a voluminous belly, he came up to Albano with the greatest courtliness, in which a flat frostiness towards all men stood prominent. He immediately began to dust about him with the bran of empty, rapid, disconnected questions, and was constantly in a hurry; for he suffered almost more ennui than he caused; as in general, there is no one with whom life drags so disagreeably as with him who tries to make it shorter. Luigi had run over the earth as quickly as through a powdering room, and had, as in such a room, become decently gray; the milk-vessels of his outer and inner man had, because they were to be converted into cream-pots and custard-cups, for that very reason, perverted themselves into poison-cups and goblets of sorrow. As often as I pass along before a painted prince's-suite in a corridor, I always fall upon my old project, and say, with entire conviction: "Could we only contrive for once, like the Spartans and all the older nations, to get a regent to the throne in a healthy state, then we should have a good one into the bargain, and all would go well. But I know these are no times for such a thing. It is a sin, that only at torture do surgeons and physicians assist, not at joy, to point out nicely the degree of pleasure as they do of the rack, and to indicate the innocent conditions."
Albano, a stranger in the company and in the eyes of this class of men, looked upon the gulf between himself and Luigi as much less deep than it was; it was merely annoying and uncomfortable to him, as it is to certain people, when, without their knowledge, a cat is in the chamber. The progress of moral enervation and refinement will yet so cleanse and equalize all our exteriors,—and according to the same law, indeed, by which physical weakness throws back the eruptions of the skin and drives them into the nobler parts,—that verily an angel and a satan will come at last to be distinguishable in nothing except in the heart. Alban had already brought with him from Wehrfritz, whom he always heard contending for the right of the province against the prince, an aversion to his successor; so much the more easily flamed up in him a moral indignation, when Luigi turned toward the pictures and drew aside the curtains or aprons from several of the most indecent, in order, not without taste and knowledge, to appraise their artistic worth. A copied Venus of Titian, lying upon a white cloth, was only the forerunner. Although the innocent hereditary prince made his voyage pittoresque through this gallery with the artistical coldness of a gallery inspector and anatomist, and sought more to show than to enrich his knowledge, still the inexperienced youth took it all up with a deaf and blind passionateness, which I know not how to vindicate in any way, not even by the presence of the princess, and so much the less, because in the first place she busily divided her soul only between the gypsum-bust and its copy, and because, secondly, in our day, ladies' watches and fans (if they are tasty) have pictures on them which Albano would want other fans to hide. The two flames of wrath and shame overspread his face with a glowing reflection; but his awkward honesty of scorn contrasted with the ease of the Lector, who with his cold tone, quite as precise as it was light, preserved independence and protected purity. "They please me not, one of them," he said, with severity: "I would give them all away for a single storm of Tempesta's." Luigi smiled at his scholar-like eye and feeling. When they stepped into the second picture-chamber, Albano heard the Princess going away. As this apartment threatened him with still more rent veils of the unholiest, he took his leave without special ceremony, and went back without the Lector, who had to-day to give a reading.