Never did Schoppe grasp his throbbing hand more heartily than this time; the aspect of an abashed young man is almost fairer (especially rarer) than that of an abashed virgin; the former appears more tender and feminine, as the latter appears more strong and manly, by a mixture of the indignation of virtue. Schoppe, who, like Pope, Swift, Boileau, forced into combination a sacred reverence for the sex with cynicism of dress and language, emptied the greatest vials of wrath upon all libertinage, and fell like a satirical Bellona upon the best free people; this time, however, he rather took them under his protection, and said, "The whole tribe love the blush of shame in others decidedly, and defend it more willingly than shamelessness, just as (and on the same kind of grounds) blind persons prefer the scarlet color. One may liken them to toads, who set the costly toad-stone (their heart) on no other cloth as they do upon a red one."
The Lector—who with all his purity and correctness would, nevertheless, without hesitation, have helped a Scarron write his ode on the seat of a duchess—when he would treat the matter of the Count's flight, was at a loss what to make of it, when the latter sprinkled him with some rose-vinegar, and said, "The bad man's father is lying on the board, and one lies before his own iron brow: O, the bad man!" Certainly the physical and moral nearness of the two fair female hearts, and his love for them, had done most to excite the Count against Luigi's artistic cynicism. The Lector merely replied, "He would hear the same at the Minister's and everywhere; and his false delicacy would very soon surrender." "Do the saints," inquired Schoppe, "dwell only upon the palaces and not in them?" For Froulay's bore upon its platform a whole row of stone apostles; and on one corner stood a statue of Mary, which was to be seen from Sphex's house among nothing but roofs.
Youthful Zesara! how does this marble Madonna chase the blood-waves through thy face, as if she were the sister of thy fairer one, or her tutelar and household goddess! But he took care not to hasten his entrance into this Lararium of his soul, namely, the delivery of his father's letter of introduction, by a single whisper, for fear of suspicion; so many missteps does the good man make in the very gentile fore-court of love; how shall he stand in the fore-court of the women, or get a footing in the dim Holy of Holies?
32. CYCLE.
The Court now caused to be made known in writing (it could not speak for sorrow) that the dead Nestor had departed this life. I set aside here the lamentation of the city, together with the rejoicing of the same over the new perspective. The Land-physicus Sphex had to eviscerate the Regent like a mighty beast,—whereas we subjects are served up with all our viscera, like snipes and ground-sparrows, on the table of the worms. At evening, there reposed the pale one on his bed of state,—the princely hat and the whole electrical apparatus of the throne-thunder lay quite as still and cold beside him on a Tabouret; he had the suitable torches and corpse-watchers around him. These Swiss-guards of the dead (the sound of the word rings through me, and I at this moment see Liberty lying on her bed of state in the Alps, and the Swiss guarding her) consist, as is well known, of two regency-counsellors, two counsellors of the exchequer, and so on. One of the exchequer-counsellors was Captain Roquairol. It can be only touched upon here, in the way of interpolation, how this youth, who of financial matters understood little more than a treasury-counsellor in ——h,[52] arose, nevertheless, to be a counsellor in war-matters there,—namely, against his own will, through old Froulay, who (in himself no very sentimental gentleman) was always reviving and retouching the youthful remembrances of the old Prince, because, in this tender mood, one could get from him by begging what one would. How odious and low! so can a poor prince have not a smile, not a tear, not a happy thought, out of which some court-mendicant, who sees it, will not make a door-handle to open something for himself, or a dagger-handle to inflict a wound; not a sound can he utter which some forester and bugle-master of the chase shall not pervert to the purpose of a mouth-piece and tally-ho.
Julienne, at nine o'clock in the evening, visited the only heart which, in the whole court, beat like hers and for hers,—her good Liana. The latter gladly offered her forehead to her commencing sick-headache, and sought only to feel and to still another's pain. The friends, who, before strangers' eyes, only displayed pleasantry, and before each other only a tender, enthusiastic seriousness, sank more and more deeply into this mood before the severe and religious lady of the Minister, who never found in Julienne so much soul as in the soft hour after weeping, as stock-gilliflowers begin to scent the air when they are sprinkled. Not the struggle, but the flight of pain, beautifies the person; hence the countenance of the dead is transfigured, because the agonies have cooled away. The maidens stood enthusiastically together at the window, the waxing moonlight of their fancy was made full moonlight by that of the outer world; they formed the nun's-plan to live together, and go in and out together for life. Often it seemed to them, in this still hour of emotion (and the thought made them shudder), as if the murmuring wings of departed souls swept by over them (it was only a couple of flies, who, with feet and wings, had caught a few tones on the harp of the Minister's lady); and Julienne thought most bitterly of her dead father in Lilar.
At last she begged the sister of her soul to ride with her this night to Lilar, and to share and assuage the last and deepest woe of an orphan. She did it willingly; but the "yes" was hard to extort from the Minister's lady. I see the gentle forms step, from their long embrace in the carriage, out into the mourning chamber at Lilar,—Julienne, the smaller of the two, with quivering eyes and changing color; Liana, more pale with megrim and mourning, and milder and taller than her companion, having completed her growth in her twelfth year.[53]
Like supernatural beings the two maidens beamed upon Roquairol's soul, already burning in every corner. A single tear-drop had power to bring into this calcining oven boiling and desolation. Already this whole evening had he been glancing at the old man with fearful shudderings at the childish end of that faded spirit, which once had been as fiery as his own now was; and the longer he looked, so much the thicker smoke-clouds floated from the open crater of the grave over into his green-blooming life, and he heard therein a thundering, and he saw therein an iron hand glowing and threatening to grasp at human hearts.
Amidst these grim dreams, which illuminated every inner stain of his being, and which sternly threatened him that a day would come, when, in his volcano too, there would remain nothing fruitful but the—ashes, the mournful maidens entered, who, on their way, had wept only over the face that had grown cold, and now wept still more heavily over the form that had grown beautiful; for the hand of death had effaced from it the lines of the last years,—the prominent chin, the fire-mounds of the passions, and so many pains underscored with wrinkles, and had, as it were, painted upon the earthly tabernacle the reflection of that fresh, still morning light which now invested the disrobed soul. But upon Julienne a black taffeta-plaster on the eyebrows, which had been left behind by a blow,—this sign of wounds made a more violent impression than all signs of healing: she observed only the tears, but not the words of Liana. "O, how beautifully he rests there!" "But why does he rest?" said her brother, with that voice, murmuring from his innermost being, which she recognized as coming from the amateur-stage; and grasped her hand with agitation, because he and she loved each other fervently, and his lava broke now through the thin crust: "for this reason,—because the heart is cut out of his breast, because the wheel is broken at the cistern, because the fire-wheel of rapture, the fountain-wheel of tears, moves therein no more!"
This cruel allusion to the opening of the body wrought terribly on the sick Liana. She must needs avert her eyes from the covered breast, because the anguish cramped the breath in her lungs; and yet the wild man, desolating others as well as himself, who had hitherto been silent by the side of the stiff corpse-guard, went on with redoubled crushing: "Feel'st thou how painfully this cricket-ball of fate, this Ixion's wheel of the wishes, rolls within us? Only the breast without a heart is calm."