At the first glimpse of the fifth he staggered.

“Great Scott!” he cried with a shudder, “what a ghastly expression you’ve got into it! It isn’t human!”

Begglely was growing offended, but the father, who was standing by, came to his defence.

“It’s nothing to do with Begglely,” exclaimed the old gentleman suavely. “It can’t be his fault. What is a photographer? Simply an instrument in the hands of science. He arranges his apparatus, and whatever is in front of it comes into it.”

“No,” continued the old gentleman, laying a constrained hand upon Begglely, who was about to resume the exhibition, “don’t—don’t show him the other two.”

I was sorry for the poor girl, for I believe she really cared for the youngster; and as for her looks, they were quite up to the average. But some evil sprite seemed to have got into Begglely’s camera. It seized upon defects with the unerring instinct of a born critic, and dilated upon them to the obscuration of all virtues. A man with a pimple became a pimple with a man as background. People with strongly marked features became merely adjuncts to their own noses. One man in the neighbourhood had, undetected, worn a wig for fourteen years. Begglely’s camera discovered the fraud in an instant, and so completely exposed it that the man’s friends wondered afterwards how the fact ever could have escaped them. The thing seemed to take a pleasure in showing humanity at its very worst. Babies usually came out with an expression of low cunning. Most young girls had to take their choice of appearing either as simpering idiots or embryo vixens. To mild old ladies it generally gave a look of aggressive cynicism. Our vicar, as excellent an old gentleman as ever breathed, Begglely presented to us as a beetle-browed savage of a peculiarly low type of intellect; while upon the leading solicitor of the town he bestowed an expression of such thinly-veiled hypocrisy that few who saw the photograph cared ever again to trust him with their affairs.

As regards myself I should, perhaps, make no comment, I am possibly a prejudiced party. All I will say, therefore, is that if I in any way resemble Begglely’s photograph of me, then the critics are fully justified in everything they have at any time, anywhere, said of me—and more. Nor, I maintain—though I make no pretence of possessing the figure of Apollo—is one of my legs twice the length of the other, and neither does it curve upwards. This I can prove. Begglely allowed that an accident had occurred to the negative during the process of development, but this explanation does not appear on the picture, and I cannot help feeling that an injustice has been done me.

His perspective seemed to be governed by no law either human or divine. I have seen a photograph of his uncle and a windmill, judging from which I defy any unprejudiced person to say which is the bigger, the uncle or the mill.

On one occasion he created quite a scandal in the parish by exhibiting a well-known and eminently respectable maiden lady nursing a young man on her knee. The gentleman’s face was indistinct, and he was dressed in a costume which, upon a man of his size—one would have estimated him as rising 6 ft. 4 in.—appeared absurdly juvenile. He had one arm round her neck, and she was holding his other hand and smirking.

I, knowing something of Begglely’s machine, willingly accepted the lady’s explanation, which was to the effect that the male in question was her nephew, aged eleven; but the uncharitable ridiculed this statement, and appearances were certainly against her.