It was in the early days of the photographic craze, and an inexperienced world was rather pleased with the idea of being taken on the cheap. The consequence was that nearly everyone for three miles round sat or stood or leant or laid to Begglely at one time or another, with the result that a less conceited parish than ours it would have been difficult to discover. No one who had once looked upon a photograph of himself taken by Begglely ever again felt any pride in his personal appearance. The picture was invariably a revelation to him.
Later, some evil-disposed person invented Kodaks, and Begglely went everywhere slung on to a thing that looked like an overgrown missionary box, and that bore a legend to the effect that if Begglely would pull the button, a shameless Company would do the rest. Life became a misery to Begglely’s friends. Nobody dared to do anything for fear of being taken in the act. He took an instantaneous photograph of his own father swearing at the gardener, and snapped his youngest sister and her lover at the exact moment of farewell at the garden gate. Nothing was sacred to him. He Kodaked his aunt’s funeral from behind, and showed the chief mourner but one whispering a funny story into the ear of the third cousin as they stood behind their hats beside the grave.
Public indignation was at its highest when a new comer to the neighbourhood, a young fellow named Haynoth, suggested the getting together of a party for a summer’s tour in Turkey. Everybody took up the idea with enthusiasm, and recommended Begglely as the “party.” We had great hopes from that tour. Our idea was that Begglely would pull his button outside a harem or behind a sultana, and that a Bashi Bazouk or a Janissary would do the rest for us.
We were, however, partly doomed to disappointment—I say, “partly,” because, although Begglely returned alive, he came back entirely cured of his photographic craze. He said that every English-speaking man, woman, or child whom he met abroad had its camera with it, and that after a time the sight of a black cloth or the click of a button began to madden him.
He told us that on the summit of Mount Tutra, in the Carpathians, the English and American amateur photographers waiting to take “the grand panorama” were formed by the Hungarian police in queue, two abreast, each with his or her camera under his or her arm, and that a man had to stand sometimes as long as three and a half hours before his turn came round. He also told us that the beggars in Constantinople went about with placards hung round their necks, stating their charges for being photographed. One of these price lists he brought back with him as a sample.
It ran:—
One snap shot, back or front .. ... ... 2 frcs.
,, with expression ... ... 3 ,,
,, surprised in quaint attitude . 4 ,,
,, while saying prayers ... ... 5 ,,
,, while fighting ... ... 10 ,,
He said that in some instances where a man had an exceptionally villainous cast of countenance, or was exceptionally deformed, as much as twenty francs were demanded and readily obtained.
He abandoned photography and took to golf. He showed people how, by digging a hole here and putting a brickbat or two there, they could convert a tennis-lawn into a miniature golf link,—and did it for them. He persuaded elderly ladies and gentlemen that it was the mildest exercise going, and would drag them for miles over wet gorse and heather, and bring them home dead beat, coughing, and full of evil thoughts.
The last time I saw him was in Switzerland, a few months ago. He appeared indifferent to the subject of golf, but talked much about whist. We met by chance at Grindelwald, and agreed to climb the Faulhorn together next morning. Half-way up we rested, and I strolled on a little way by myself to gain a view. Returning, I found him with a “Cavendish” in his hand and a pack of cards spread out before him on the grass, solving a problem.