The ladies retired upstairs into the drawing-room. Mrs. Loveredge, breaking a long silence, remarked it as unusual that no sound of merriment reached them from the dining-room. The explanation was that the entire male portion of the party, on being left to themselves, had immediately and in a body crept on tiptoe into Joey’s study, which, fortunately, happened to be on the ground floor. Joey, unlocking the bookcase, had taken out his Debrett, but appeared incapable of understanding it. Sir Francis Baldwin had taken it from his unresisting hands; the remaining aristocracy huddled themselves into a corner and waited in silence.
“I think I’ve got it all clearly,” announced Sir Francis Baldwin, after five minutes, which to the others had been an hour. “Yes, I don’t think I’m making any mistake. She’s the daughter of the Duke of Truro, married in ’53 the Duke of Warrington, at St. Peter’s, Eaton Square; gave birth in ’55 to a daughter, the Lady Grace Alexandra Warberton Sutton, which makes the child just thirteen. In ’63 divorced the Duke of Warrington. Lord Mount-Primrose, so far as I can make out, must be her second cousin. I appear to have married her in ’66 at Hastings. It doesn’t seem to me that we could have got together a homelier little party to meet her even if we had wanted to.”
Nobody spoke; nobody had anything particularly worth saying. The door opened, and the Lady Alexandra (otherwise Tommy) entered the room.
“Isn’t it time,” suggested the Lady Alexandra, “that some of you came upstairs?”
“I was thinking myself,” explained Joey, the host, with a grim smile, “it was about time that I went out and drowned myself. The canal is handy.”
“Put it off till to-morrow,” Tommy advised him. “I have asked her ladyship to give me a lift home, and she has promised to do so. She is evidently a woman with a sense of humour. Wait till after I have had a talk with her.”
Six men, whispering at the same time, were prepared with advice; but Tommy was not taking advice.
“Come upstairs, all of you,” insisted Tommy, “and make yourselves agreeable. She’s going in a quarter of an hour.”
Six silent men, the host leading, the two husbands bringing up the rear, ascended the stairs, each with the sensation of being twice his usual weight. Six silent men entered the drawing-room and sat down on chairs. Six silent men tried to think of something interesting to say.
Miss Ramsbotham—it was that or hysterics, as she afterwards explained—stifling a sob, opened the piano. But the only thing she could remember was “Champagne Charlie is my Name,” a song then popular in the halls. Five men, when she had finished, begged her to go on. Miss Ramsbotham, speaking in a shrill falsetto, explained it was the only tune she knew. Four of them begged her to play it again. Miss Ramsbotham played it a second time with involuntary variations.