The present Durham Cathedral was begun in 1093, with the castle alongside. As we look at them from the railway-station, they stand a monument of the days when the same hand grasped the pastoral staff and the sword—"half house of God, half castle 'gainst the Scot." Upon the top of the rocks, which are clad in foliage to the river's edge, on the left hand, supported by massive outworks built up from halfway down the slope, rises the western face of the castle. Beyond this, above a fringe of trees, rises the lofty cathedral, its high central tower forming the apex of the group and its two western towers looking down into the ravine. The galilee in front appears built up from the depths of the valley, and is supported by outworks scarcely less solid than those of the castle. Durham, more than any other place in England, is a memorial of the temporal authority of the Church, uniting the mitre and the coronet. The plan of Durham Cathedral is peculiar in having the closed galilee at the western end, instead of the open porch as is usual, while the eastern end, which is wider than the choir, terminates abruptly, having no Lady Chapel, but being in effect cut off, with a gable in the centre and a great rose-window. As the galilee overhangs the ravine, the principal entrance to the cathedral is from a fine northern porch. To the portal is affixed a large knocker of quaint design, which in former days was a Mecca for the fugitive, for the shrine of St. Cuthbert enjoyed the right of sanctuary. When the suppliant grasped this knocker he was safe, for over the door two monks kept perpetual watch to open at the first stroke. As soon as admitted the suppliant was required to confess his crime, whatever it might be. This was written down, and a bell in the galilee tolled to announce the fact that some one had sought "the peace of Cuthbert;" and he was then clothed in a black gown with a yellow cross on the shoulder. After thirty-seven days, if no pardon could be obtained, the malefactor solemnly abjured his native land for ever, and was conveyed to the seacoast, bearing a white wooden cross in his hand, and was sent out of the kingdom by the first ship that sailed.
DURHAM CATHEDRAL, FROM AN OLD HOMESTEAD ON THE WEAR.
THE NAVE, DURHAM CATHEDRAL.
The interior of Durham Cathedral is regarded as the noblest Norman construction yet remaining in England. The arcade, triforium, and clerestory are in fine proportion; the nave has a vaulted roof of stone, and the alternate columns are clustered in plan, their middle shafts extending from floor to roof. These columns are enriched with zigzag, lattice, spiral, and vertical flutings. This cathedral, begun in 1093, was nearly two centuries building, and the Chapel of Nine Altars, in honor of various saints, was erected at the eastern end in the twelfth century. Some of these altars did duty for a pair of saints, St. Cuthbert sharing the central one with St. Bede, a name only second to his in the memories of Durham, so that the nine altars were availed of to reverence sixteen saints. Behind the reredos a platform extends a short distance into this chapel at a height of six feet above the floor. A large blue flagstone is let into the platform, with shallow grooves on either hand. Here stood St. Cuthbert's shrine, highly ornamented, and having seats underneath for the pilgrims and cripples who came to pray for relief. This being never wanting, we are told that the shrine came to be so richly invested that it was esteemed one of the most sumptuous monuments in England, so numerous were the offerings and jewels bestowed upon it. Among the relics here accumulated was the famous Black Rood of Scotland, the prize of the battle of Neville's Cross, fought near Durham. There were also many relics of saints and martyrs, scraps of clothing of the Saviour and the Virgin, pieces of the crown of thorns and of the true cross, vials containing the milk of the Virgin Mother and the blood of St. Thomas, besides elephants' tusks and griffins' claws and eggs, with myriads of jewels. In 1104, St. Cuthbert's body was deposited in this shrine with solemn ceremonies, and it rested there undisturbed until the dissolution of the monasteries, reverentially watched, day and night, by monks stationed in an adjoining chamber. Then the shrine was destroyed and the treasures scattered, the coffin opened, and St. Cuthbert buried beneath the slab, so that now the only remnants visible are the furrows worn in the adjoining pavement by the feet of the ancient worshippers. Tradition tells that the exact position of St. Cuthbert's grave is known only to three Benedictine monks, of whom Scott writes:
"There, deep in Durham's Gothic shade,
His relics are in secret laid,
But none may know the place,
Save of his holiest servants three,
Deep sworn to solemn secrecy,
Who share that wondrous grace."
The corpse, however, rests beneath the blue slab. In 1827 it was raised, and, while other human remains were found, there was disclosed beneath them, in a coffin, a skeleton vested in mouldering robes, and with it various treasures, which, with the robes, accord with the description of those present in St. Cuthbert's coffin when opened in 1104. The skeleton was reinterred in a new coffin, and the relics, particularly an ancient golden cross and a comb, were placed in the cathedral library.