Identical with the G minor Clavier Concerto. See B.G. XVII. no. 7, and also B.G. XLV. (1), Appendix, p. 233.
Identical with the D major Clavier Concerto. See B.G. XVII. no. 3, and N.B.G. VIII. (1)
Identical with the Concerto for two Claviers in C minor. See B.G. XXI. (2) no. 3.
The movement is described as being from “einer unbekannten Kirchencantate” for four voices and Orchestra. The Autograph is incomplete. The movement is not published elsewhere than in the B.G. edition.
Identical with the Concerto for 2 Violins, in D minor. See B.G. XXI. (1) no. 3. Also pp. 131, 158, 160, supra.
Also in N.B.G. XVII. (1 and 2).
For an exposition of Bach's design in the “Orgelbüchlein,” see the present writer's articles in “The Musical Times” for January_March 1917, and “Bach's Chorals,” Part III. See N.B.G. II. (1) for an arrangement of the Preludes for two pianofortes.
See B.G. XLII. for a Clavier version.
See B.G. XLII. for a Clavier version.
Boosey and Co. also publish an English edition.