This is a shortened form of the first Brandenberg Concerto (see B.G. XIX. no. 1). It consists of the Allegro, Adagio, Minuet, Trio I. and Trio II. of the latter, and omits its second Allegro and Polacca.
The Appendix contains Joh. Philipp Kernberger's solutions of the Canons and his expansion of the figured bass of the Clavier part of the Sonata.
See publications of the N.B.G. XIV. (2) no. 2.
See publications of the N.B.G. XIV. (2) no. 2.
Text and music are identical with the version in B.G. XX. (2).
Another Allemande to the Suite is in B.G. XXXVI. 217 (also in P.).
The subject of the Fughetta is the same as that of Fugue No. 17 in the second part of the “Well-tempered Clavier.”
The Prelude is No. 11 in Peters (B.G. xxxvi. 220). The Fughetta is his No. 10. It is the same subject an that of Fugue 16 in the second part of the “Well-tempered Clavier.” An alternative Prelude (P. 214 p. 78) is in the Appendix (p. 220).
They are described as “zur vierten französischen Suite.” The Prelude is in P. bk. 1959 p. 67.
Written respectively for the second and third French Suites (not in P.).