And thus will I also make mention of a work, which is indeed small, but which made an epoch in a remarkable manner,—I mean Rousseau's Pygmalion. A great deal could be said upon it; for this strange production floats between nature and art, with the full endeavour of resolving the latter into the former. We see an artist who has produced what is most perfect, and yet does not find any satisfaction in having, according to art, represented his idea externally to himself, and given to it a higher life; no, it must also be drawn down to him into the earthly life. He will destroy the highest thing that mind and deed have produced, by the commonest act of sensuality.
All this and much else, right and foolish, true and half-true, operating upon us as it did, still more perplexed our notions; we were driven astray through many by-ways and roundabout ways, and thus on many sides was prepared that German literary revolution, of which we were witnesses, and to which, consciously or unconsciously, willingly or unwillingly, we unceasingly contributed.
We had neither impulse nor tendency to be illumined and advanced in a philosophical manner; on religious subjects we thought we had sufficiently enlightened ourselves, and therefore the violent contest of the French philosophers with the priesthood was tolerably indifferent to us. Prohibited books condemned to the flames, which then made a great noise, produced no effect upon us. I mention as an instance, to serve for all, the Système de la Nature, which we took in hand out of curiosity. We did not understand how such a book could be dangerous. It appeared to us so dark, so Cimmerian, so deathlike, that we found it a trouble to endure its presence, and shuddered at it as at a spectre. The author fancies he gives his book a peculiar recommendation, when he declares in his preface, that as a decrepit old man, just sinking into the grave, he wishes to announce the truth to his contemporaries and to posterity.
We laughed him out; for we thought we had observed that by old people nothing in the world that is loveable and good is in fact appreciated. "Old churches have dark windows; to know how cherries and berries taste, we must ask children and sparrows." These were our gibes and maxims; and thus that book, as the very quintessence of senility, appeared to us as unsavoury, nay, absurd. "All was to be of necessity," so said the book, "and therefore there was no God." But could there not be a God by necessity too? asked we. We indeed confessed, at the same time, that we could not withdraw ourselves from the necessities of day and night, the seasons, the influence of climate, physical and animal condition; but nevertheless we felt within us something that appeared like perfect freedom of will, and again something which sought to counterbalance this freedom.
The hope of becoming more and more rational, of making ourselves more and more independent of external things, nay, of ourselves, we could not give up. The word freedom sounds so beautiful, that we cannot do without it, even though it designates an error.
"Système de la Nature."
None of us had read the book through; for we found ourselves deceived in the expectations with which we had opened it. A system of nature was announced; and therefore we hoped to learn really something of nature—our idol. Physics and chemistry, descriptions of heaven and earth, natural history and anatomy, with much else, had now for years, and up to the last day, constantly directed us to the great adorned world; and we would willingly have heard both particulars and generals about suns and stars, planets and moons, mountains, valleys, rivers and seas, with all that live and move in them. That in the course of this, much must occur which would appear to the common man as injurious, to the clergy as dangerous, and to the state as inadmissible, we had no doubt; and we hoped that the little book had not unworthily stood the fiery ordeal. But how hollow and empty did we feel in this melancholy, atheistical half-night, in which earth vanished with all its images, heaven with all its stars. There was to be a matter in motion from all eternity, and by this motion, right and left and in every direction, without anything further, it was to produce the infinite phenomena of existence. Even all this we should have allowed to pass, if the author, out of his moved matter, had really built up the world before our eyes. But he seemed to know as little about nature as we did; for, having set up some general ideas, he quits them at once, for the sake of changing that which appears as higher than nature, or as a higher nature within nature, into material, heavy nature, which is moved, indeed, but without direction or form—and thus he fancies he has gained a great deal.
If, after all, this book did us any mischief, it was this,—that we took a hearty dislike to all philosophy, and especially metaphysics, and remained in that dislike; while, on the other hand, we threw ourselves into living knowledge, experience, action, and poetising, with all the more liveliness and passion.
Thus, on the very borders of France, we had at once got rid and clear of everything French about us. The French way of life we found too defined and genteel, their poetry cold, their criticism annihilating, their philosophy abstruse, and yet insufficient, so that we were on the point of resigning ourselves to rude nature, at least by way of experiment, if another influence had not for a long time prepared us for higher and freer views of the world, and intellectual enjoyments as true as they were poetical, and swayed us, first moderately and secretly, but afterwards with more and more openness and force.