At this period I usually combined the art of design with poetical composition. I drew the portraits of my friends in profile on grey paper, in white and black chalk. Whenever I dictated or listened to reading, I sketched the positions of the writer and reader, with the surrounding objects; the resemblance could not be denied, and the drawings were well received. Dilettanti always have this advantage because they give their labor for nothing. But feeling the insufficiency of this copying, I betook myself once more to language and rhythm which were much more at my command. How briskly, how joyously and eagerly I went to work with them will appear from the many poems which, enthusiastically proclaiming the art of nature, and the nature of art, infused, at the moment of their production, new spirit into me as well as into my friends.

At this epoch, and in the midst of these occupations, I was sitting one evening with a struggling light in my chamber, to which at least the air of an artist's studio was thus imparted, while the walls, stuck over and covered with half-finished works, gave the impression of great industry, when there entered a well-formed, slender man, whom, at first, in the twilight, I took for Fritz Jacobi, but soon, discovering my mistake, greeted as a stranger. In his free and agreeable bearing a certain military air was perceptible. He announced himself by the name of Von Knebel, and from a brief introduction I gathered that he was in the Prussian service, and that during a long residence at Berlin and Potsdam he had actively cultivated an acquaintance with the literary men of those places, and with German literature in general. He had attached himself particularly to Ramler, and had adopted his mode of reciting poems. He was also familiar with all that Götz had written, who, at that time, had not as yet made a name among the Germans. Through his exertions the Mädcheninsel (Isle of Maidens) of this poet had been printed at Potsdam, and had fallen into the hands of the king, who was said to have expressed a favorable opinion of it.

State of Weimar.

We had scarcely talked over these subjects of general interest in German literature, before I learned, much to my satisfaction, that he was at present stationed in Weimar, and was appointed the companion of Prince Constantin. Of matters there I had already heard much that was favorable; for several strangers, who had come from Weimar, assured us that the Duchess Amalia had gathered round her the best men to assist in the education of the princes her sons; that the Academy of Jena, through its admirable teachers, had also contributed its part to this excellent purpose; and that the arts were not only protected by this princess, but were practised by her with great diligence and zeal. We also heard that Wieland was in especial favor. The Deutsche Merkur, too, which united the labors of so many scholars in other places, contributed not a little to the fame of the city in which it was published. There also was one of the best theatres in Germany, which was made famous by its actors, as well as by the authors who wrote for it. These noble institutions and plans seemed, however, to have received a sudden check, and to be threatened with a long interruption, in consequence of the terrible conflagration of the castle, which took place in the May of that year. But the confidence in the hereditary prince was so great that every one was convinced not only that the damage would be repaired, but that in spite of it every other hope would be fully accomplished. As I inquired after these persons and things, as if I were an old acquaintance, and expressed a wish to become more intimately acquainted with them, my visitor replied, in the most friendly manner possible, that nothing was easier, since the hereditary prince, with his brother, the Prince Constantin, had just arrived in Frankfort, and desired to see and know me. I at once expressed the greatest willingness to wait upon them, and my new friend told me that I must not delay, as their stay would not be long. In order to equip myself for the visit, I took Von Knebel to my father and mother, who were surprised at his arrival, and the message he bore, and conversed with him with great satisfaction. I then proceeded with him to the young princes, who received me in a very easy and friendly manner; Count Görtz, also, the tutor of the hereditary prince, appeared not displeased to see me. Though there was no lack of literary subjects for our conversation, accident furnished the best possible introduction to it, and rendered it at once important and profitable.

Möser's Patriotische Fantasien (patriotic Fantasies), that is to say, the first part of them, were lying on the table, fresh from the binder, with the leaves uncut. As I was familiar with them, while the rest were scarcely acquainted with them, I had the advantage of being able to give a complete account of the work, and had here a favorable opportunity for speaking with a young prince who was sincerely desirous, and also firmly determined to make use of his station to do all the good in his power. Möser's book, both in its contents and its tone, could not but be highly interesting to every German. While by other writers division, anarchy, and impotence, had been brought as a reproach against the German empire, according to Möser this very number of small states was highly desirable, as affording room for the special cultivation of each, according to its necessities, which must vary with the site and peculiarities of such widely different provinces. In the same way, I remarked, that Möser, starting with the city and bishopric (Stift) of Osnaburg, and thence going over the circle of Westphalia, set forth its relation to the whole empire, and just as he, in the further examination of the subject, uniting the past with the present, deduced the latter from the former, and thus clearly shewed what alterations were desirable or not; so might every ruler, by proceeding in the same way, obtain a thorough knowledge of the constitution of the state he governs, its connexion with its neighbors and with the whole empire, and thus enable himself to judge both the present and the future.

In the course of our conversation, many remarks were made with regard to the difference between the States of Upper and Lower Saxony; not only their natural productions, it was observed, but also their manners, laws, and customs had differed from the earliest times, and, according to the form of religion and government, had variously modified themselves. We endeavoured to obtain a clear view of the differences between the two regions, and in this attempt it soon appeared how useful it would be to have a good model, which, if regarded, not in its individual peculiarities, but in the general method on which it had been based, might be applied to the most widely differing cases, and thereby might be highly serviceable in helping us to form a correct judgment.

This conversation, which was kept up when we were set down at table, made a better impression in my favor than I perhaps deserved. For instead of making such works as belonged to my own sphere of literature the subjects of discussion; instead of demanding an undivided attention for the drama and for romance, I appeared while discussing Möser's book, to prefer those writers whose talents, proceeding from active life, returned to it with immediate benefit, whereas works properly poetical, as soaring above mere social and material interests, could only be indirectly and accidentally profitable. These discussions went on like the stories of the Arabian Nights; one important matter came up after another; many themes were only touched upon without our being able to follow them out, and accordingly, as the stay of the young princes in Frankfort was necessarily short, they made me promise to follow them to Mayence and spend a few days with them there. I gave this promise gladly enough, and hastened home to impart the agreeable intelligence to my parents.

Prospects of a Court-Life.